388. 威尼斯,圣乔瓦尼-保罗坎波全景,背景巴托洛梅奥·科莱奥尼马术纪念碑和圣马可大教堂` Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background (1848) by Federico Moja 高清作品[23%]

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Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background (1848) -

图片文件尺寸: 3174 x 2248px

威尼斯,圣乔瓦尼-保罗坎波全景,背景巴托洛梅奥·科莱奥尼马术纪念碑和圣马可大教堂-费德里科·莫哈

~ Venice, a View of the Campo Santi Giovanni e Paolo, with the Equestrian Monument to Bartolomeo Colleoni and the Scuola Grande di San Marco in the Background (1848) --Federico Moja (Italian, 1802 – 1885)

390. 约瑟夫和波提妻子,1630-1632年`Joseph and Potiphar\'s Wife, 1630-1632 by Orazio Gentileschi 高清作品[23%]

AF-Joseph and Potiphar\'s Wife, 1630-1632

图片文件尺寸: 9000×7183 px

约瑟夫和波提妻子,1630-1632年-奥拉其奥·简提列斯基

-Orazio Lomi Gentileschi (1563-1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style.
Potiphar\'s wife is a minor character in the Hebrew Bible and the Quran. She was the wife of Potiphar, the captain of Pharaoh\'s guard in the time of Jacob and his twelve sons. According to the Book of Genesis, she falsely accused Joseph of attempted rape after he rejected her sexual advances, resulting in his imprisonment.
Joseph and Potiphar\'s Wife, 1630-1632 (Oil on Canvas), by Orazio Gentileschi