382. 对我来说,透明度就是知道艾玛,我的艾玛,为我做了一个特别的蛋糕,没有任何糖霜,即使没有人看到它(渔民岛纪事)(2021年) by Joeun Aatchim 高清作品[28%]

Transparency for Me is Knowing Emma, My Emma, Made a Special Cake for Me Without Any Frosting  Even if No One Sees It (Fishers Island Chronicle) (2021)

材质 :Crushed stone, sea shell, mineral pigment, mica, and refined pine soot ink on silk in artist;s frame 尺寸 :44.5 × 39.4 × 3.8 cm Painting

对我来说,透明度就是知道艾玛,我的艾玛,为我做了一个特别的蛋糕,没有任何糖霜,即使没有人看到它(渔民岛纪事)(2021年)-朱恩·阿奇姆

英文名称:Transparency for Me is Knowing Emma, My Emma, Made a Special Cake for Me Without Any Frosting Even if No One Sees It (Fishers Island Chronicle) (2021)-Joeun Aatchim

384. 弗兰克·韦德金德(Frank Wedekind)的《老求婚者》(The old Suiter)和阿尔弗雷德·库宾(Alfred Kubin,1887-1959)的六幅平版画(The 6-litrographs),这是一幅迄今为止的古典现代主义绘画` by Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), 高清作品[27%]

DO-Der greise Freier von Frank Wedekind mit 6 Lithografien von Alfred Kubin (1887-1959), - Malerei der Klassischen Moderne bis zur Gegenwart
图片文件像素:4800 x 3400 px

弗兰克·韦德金德(Frank Wedekind)的《老求婚者》(The old Suiter)和阿尔弗雷德·库宾(Alfred Kubin,1887-1959)的六幅平版画(The 6-litrographs),这是一幅迄今为止的古典现代主义绘画-

-

jeweils mit Bleistift signiert unten rechts: Kubin, Privatauflage, Nr. 142 von 200 Exemplaren, Titel und weitere kleine Lithos von A. Kubin, Verlag Franz Schneider, Berlin, Georg Müller, München, Format ca. 26 x 18,5 cm, stockfleckig Ruf 300

385. ;在床边,临别的生活就在那里……,奥利弗·戈德史密斯的《荒废的村庄》插图` Beside the bed where parting life was laid…, illustration for Oliver Goldsmith’s The Deserted Village by Edwin Austin Abbey 高清作品[25%]

~
Beside the bed where parting life was laid…, illustration for Oliver Goldsmith’s The Deserted Village-

图片文件尺寸: 2736 x 2015px

;在床边,临别的生活就在那里……,奥利弗·戈德史密斯的《荒废的村庄》插图-埃德温·奥斯汀修道院

~ Beside the bed where parting life was laid…, illustration for Oliver Goldsmith’s The Deserted Village--Edwin Austin Abbey (美国艺术家, 1852 - 1911)

386. 摄政权移交给州将军后,阿玛莉亚·范·索姆斯向威廉三世告别的寓言` Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General (1661) by Theodoor van Thulden 高清作品[24%]

~
Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General (1661) -

图片文件尺寸: 5440 x 6446px

摄政权移交给州将军后,阿玛莉亚·范·索姆斯向威廉三世告别的寓言-西奥多·范图登

~ Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General (1661) --Theodoor van Thulden (Flemish, 1606-1669)

387. 两个朋友在点午餐。一个人说:“我想吃汉堡”,然后点了一份。另一个说,“我想吃汉堡”,但他记得,对他来说,有些事情比他在任何特定时刻想吃的东西更重要,于是点了别的东西。谁是多愁善感者--JSF(2018) by Dasha Shishkin 高清作品[24%]

two friends are ordering lunch. one says, “I am in the mood for a burger”, and orders it. the other says, “I am in the mood for a burger” but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF (2018)

材质 :Mixed media on linen 尺寸 :150 × 130 × 2 cm Painting

两个朋友在点午餐。一个人说:“我想吃汉堡”,然后点了一份。另一个说,“我想吃汉堡”,但他记得,对他来说,有些事情比他在任何特定时刻想吃的东西更重要,于是点了别的东西。谁是多愁善感者--JSF(2018)-达莎·希施金(Russian, b. 1977)

英文名称:two friends are ordering lunch. one says, “I am in the mood for a burger”, and orders it. the other says, “I am in the mood for a burger” but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF (2018)-Dasha Shishkin

388. “奥黛丽•蒂芙尼”——波普艺术、波普超现实主义、民粹主义、流行文化、名人、现实主义、新表现主义、奥黛丽、赫本、奥黛丽•赫本,2019年 by Craig Alan 高清作品[24%]

材质 :Mixed Media on board, gloss varnish finish 尺寸 :121.9 × 121.9 × 5.1 cm Painting

图片文件尺寸 : 5630 x 4332px

“奥黛丽•蒂芙尼”——波普艺术、波普超现实主义、民粹主义、流行文化、名人、现实主义、新表现主义、奥黛丽、赫本、奥黛丽•赫本,2019年-克雷格·艾伦(American, b. 1971)

英文名称:\"Audrey @ Tiffany\'s\" -- pop art, pop surrealism, populus, pop culture, celebrity, realism, neo expressionism, Audrey, Hepburn, Audrey Hepburn, 2019-Craig Alan