图片文件尺寸: 2035 x 2775px
伊姆雷·基尔菲在奥林匹亚奥运会上威尼斯的出色表现-斯特罗布里奇公司。
~ Imre Kiralfys superb representation of Venice at Olympia (1891) --Strobridge and Co. Lith. (美国艺术家, 19th/20th Century)
Cratère à colonne en céramique à figures rouges, attribué au Peintre de Tyszkiewicz, art attique, vers 490-480 avant J.-C.-An-Attic-Red-figured-Column-Krater-attributed-to-the-Tyszkiewicz-Painter-circa-490-480-B.C.-
(红色人物陶瓷圆柱陨石坑,归属于提斯基维茨画家,阿提卡艺术,约公元前490-480年。-A-Attic-Red-figued-Column-Krater-attributed-to-the-Tyszkiewicz-Painter-circa-490-480-B.C-)
材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography
表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)
英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez