385. 比德梅耶·卡纳佩(19世纪),泰尔·施瓦茨(1894年)创作的路易丝·玛格利特·凡·肖像,朱丽叶,路易十五扶手椅(约1750年)。凡博物馆(荷兰阿姆斯特丹)(2018年) by Julien Spiewak 高清作品[18%]

Biedermeier canapé (19th century), portrait of Louise Marguérite Van Loon by Thérèse Schwartze (1894), Juliette, Louis XV armchair (ca. 1750). Museum Van Loon (Amsterdam, Netherlands) (2018)

材质 :Argentic print 尺寸 :100 × 70 cm Photography

比德梅耶·卡纳佩(19世纪),泰尔·施瓦茨(1894年)创作的路易丝·玛格利特·凡·肖像,朱丽叶,路易十五扶手椅(约1750年)。凡博物馆(荷兰阿姆斯特丹)(2018年)-朱利安·斯皮瓦克(French, b. 1984)

英文名称:Biedermeier canapé (19th century), portrait of Louise Marguérite Van Loon by Thérèse Schwartze (1894), Juliette, Louis XV armchair (ca. 1750). Museum Van Loon (Amsterdam, Netherlands) (2018)-Julien Spiewak

388. 虽然现在离开了这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[18%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank