371. Gasbehälter,约1880年,伦敦芬奇利(Gas Holder,约1880年,伦敦,芬奇利),来自投资组合Industriebauten(工业建筑)(1966年) by Bernd and Hilla Becher 高清作品[26%]

Gasbehälter, ca. 1880, London-Finchley (Gas Holder, ca. 1880, London, Finchley), from the portfolio Industriebauten (Industrial Buildings) (1966)

材质 :Gelatin silver print 尺寸 :19.5 × 15.2 cm Photography

Gasbehälter,约1880年,伦敦芬奇利(Gas Holder,约1880年,伦敦,芬奇利),来自投资组合Industriebauten(工业建筑)(1966年)-伯恩和希拉·贝克(German, 1931 and 1934)

英文名称:Gasbehälter, ca. 1880, London-Finchley (Gas Holder, ca. 1880, London, Finchley), from the portfolio Industriebauten (Industrial Buildings) (1966)-Bernd and Hilla Becher

374. 塞纳河岸上年轻女士——一幅碎片(帽子上戴着花女人)` Young Ladies On The Bank Of The Seine – Fragment Of A Painting (Woman With Flowers On Her Hat) by Gustave Courbet 高清作品[26%]

~
Young Ladies On The Bank Of The Seine – Fragment Of A Painting (Woman With Flowers On Her Hat)-

图片文件尺寸: 2870 x 2356px

塞纳河岸上年轻女士——一幅碎片(帽子上戴着花女人)-古斯塔夫·库尔贝

~ Young Ladies On The Bank Of The Seine – Fragment Of A Painting (Woman With Flowers On Her Hat)--Gustave Courbet (法国艺术家, 1819-1877)

377. 约翰·尼尔·戴斯(约1810-1880年)和他妻子伊丽莎白·汉密尔顿·鲍伊(1825-1916年)在南拉纳克郡卡斯特班克之家一对肖像,约1840年 - 肯尼斯-麦克利 高清作品[26%]

A pair of portraits of John Neil Dyce (c.1810-1880) of Castlebank House, South Lanarkshire, and his wife Elizabeth Hamilton Bowie (1825-1916), circa 1840-Kenneth-Macleay

A pair of portraits of John Neil Dyce (c.1810-1880) of Castlebank House, South Lanarkshire, and his wife Elizabeth Hamilton Bowie (1825-1916), circa 1840-Kenneth-Macleay
(约翰·尼尔·戴斯(约1810-1880年)和他妻子伊丽莎白·汉密尔顿·鲍伊(1825-1916年)在南拉纳克郡卡斯特班克之家一对肖像,约1840年-肯尼斯-麦克利)

378. 1799年,已婚男子和已婚女子之间秘密恋情`Secret Affair between a Married Man and a Married Woman, 1799 by Kitagawa Utamaro 高清作品[26%]

AF-Secret Affair between a Married Man and a Married Woman, 1799

图片文件尺寸: 6000×4131 px

1799年,已婚男子和已婚女子之间秘密恋情-喜多川歌麿

-Kitagawa Utamaro (1753-1806), one of the greatest masters of the Ukiyo-e school of Japanese wood-block printing, excelled in the exotic portrayal of Japanese women, especially those of the Yoshiwara district. Many contemporary critics regard him as the greatest Japanese printmaker.