371. 便携式三联画:十字架(中央面板);圣约翰浸信会捐赠者(左翼);安提阿圣玛格丽特捐赠者(右翼) - 归因于PIETER-CLAEISSENS-THE-ELDER-(1500-1576)和北荷兰学校-CIRCA-1550- 高清作品[25%]

 A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-(1500-1576)-AND-NORTH-NETHERLANDS-SCHOOL-CIRCA-1550-

A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-
(便携式三联画:十字架(中央面板);圣约翰浸信会捐赠者(左翼);安提阿圣玛格丽特捐赠者(右翼)-归因于PIETER-CLAEISSENS-THE-ELDER-(1500-1576)和北荷兰学校-CIRCA-1550-)

372. 幽灵奥基库凶狠地俯视着青山武士和两名护卫员,中央面板`The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel by Toyohara Kunichika 高清作品[25%]

AF-The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel

图片文件尺寸: 4032×6000 px

幽灵奥基库凶狠地俯视着青山武士和两名护卫员,中央面板-丰原久一家

-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.

373. 天花板的装饰设计,带有丝线边框和中央徽章` Design for the decoration of a ceiling with filagree borders and a central medallion (1830–97) by Jules-Edmond-Charles Lachaise 高清作品[25%]

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Design for the decoration of a ceiling with filagree borders and a central medallion (1830–97) -

图片文件尺寸: 3867 x 2246px

天花板的装饰设计,带有丝线边框和中央徽章-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Design for the decoration of a ceiling with filagree borders and a central medallion (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

377. 里约热内卢巴西中央文化银行(Centro Cultural Banco do Brasil)吴裕禄(Wu Yulu)机器人工厂的点火机器人和点画达米恩·赫斯特(Damien Hirst)(2013年) by Cai Guo-Qiang 蔡国强 高清作品[25%]

Ignition Robot, and Dot-Painting Damien Hirst as part of Wu Yulu’s Robot Factory, Centro Cultural Banco do Brasil, Rio de Janeiro (2013)

材质 : 尺寸 : Installation

里约热内卢巴西中央文化银行(Centro Cultural Banco do Brasil)吴裕禄(Wu Yulu)机器人工厂的点火机器人和点画达米恩·赫斯特(Damien Hirst)(2013年)-Cai Guo-Qiang 蔡国强

英文名称:Ignition Robot, and Dot-Painting Damien Hirst as part of Wu Yulu’s Robot Factory, Centro Cultural Banco do Brasil, Rio de Janeiro (2013)-Cai Guo-Qiang 蔡国强

378. Ii Jahrgan(Liefr.Iii)第7条。【七种珠宝设计,包括带有中央浮雕的皇冠。】` Ii Jahrgang (Liefr. Iii) Bl. 7. [Seven Designs For Jewelry, Including Tiara With Central Cameo.] (1872 ~ 1873) by Martin Gerlach 高清作品[25%]

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Ii Jahrgang (Liefr. Iii) Bl. 7. [Seven Designs For Jewelry, Including Tiara With Central Cameo.] (1872 ~ 1873) -

图片文件尺寸: 4628 x 6238px

Ii Jahrgan(Liefr.Iii)第7条。【七种珠宝设计,包括带有中央浮雕的皇冠。】-马丁·格拉赫

~ Ii Jahrgang (Liefr. Iii) Bl. 7. [Seven Designs For Jewelry, Including Tiara With Central Cameo.] (1872 ~ 1873) --Martin Gerlach (德国艺术家, 1846-1918)

379. \\“苏联公民宇航员尤里·阿列克谢耶维奇·加加林1961年4月12日在“沃斯托克”号宇宙飞船上首次飞行的记录文件。”莫斯科:苏维埃社会主义共和国联盟,苏联中央航空俱乐部,1961年 by Yuri Gagarin 高清作品[25%]

材质 : 尺寸 : Other

\\“苏联公民宇航员尤里·阿列克谢耶维奇·加加林1961年4月12日在“沃斯托克”号宇宙飞船上首次飞行的记录文件。”莫斯科:苏维埃社会主义共和国联盟,苏联中央航空俱乐部,1961年-尤里·加加林

英文名称:\\\"RECORDS FILE ON THE FIRST FLIGHT BY THE USSR CITIZEN COSMONAUT YURI ALEXEYEVICH GAGARIN MADE ON APRIL 12, 1961 ON SPACESHIP-SPUTNIK \'VOSTOK.\'” MOSCOW: UNION OF THE SOVIET SOCIALIST REPUBLICS, THE USSR CENTRAL AERO CLUB, 1961-Yuri Gagarin

380. 巴洛克风格的天花板设计,中央面板为trompe l厄尔` Design for a ceiling in Baroque style with a central panel in trompe loeil (19th Century) by Jules-Edmond-Charles Lachaise 高清作品[24%]

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Design for a ceiling in Baroque style with a central panel in trompe loeil (19th Century) -

图片文件尺寸: 3442 x 2567px

巴洛克风格的天花板设计,中央面板为trompe l厄尔-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Design for a ceiling in Baroque style with a central panel in trompe loeil (19th Century) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)