366. 管道组合，管道分为三部分，属于山上的狼，夏延酋长`Portfolio of Pipes, Pipe in three Sections, belonging to the Wolf on the Hill, Chief of the Cheyenne by George Catlin 高清作品[19%]

AF-Portfolio of Pipes, Pipe in three Sections, belonging to the Wolf on the Hill, Chief of the Cheyenne

图片文件尺寸: 6800×5279 px

管道组合，管道分为三部分，属于山上的狼，夏延酋长-卡特林

-A selection of Indian pipes in “Catlin’s North 美国艺术家 Indian Collection”.
The males amongst the North 美国艺术家 Indians all smoke, using instead of tobacco, several narcotics, such as inner bark of Red Willow, sumach leaves & c. which they call “k’nick-k’neck”, when it is prepared for smoking; to which, when they can get it, they add a small portion of tobacco.
Each man manufactures his own pipe, the bowl of which is generally carved in spar, in marble, stealite or potstone, found in their countries.
Pipes amongst the Am Indians are not only matters of luxury in the hands of all private individuals, where they are always emblems of peace and tendered as friendly salutations; but are kept in all tribes by the chiefs, as instruments for solemnizing Treaties; in which case they are public property considered sacred, and denominated “Calumets”, (or pipe of peace).

369. 亚历山大·波普强奸锁后的厕所`The Toilet, from The Rape of the Lock by Alexander Pope by Aubrey Beardsley 高清作品[19%]

AF-The Toilet, from The Rape of the Lock by Alexander Pope

图片文件尺寸: 4034×6000 px

亚历山大·波普强奸锁后的厕所-奥布里·比尔兹利

-Aubrey Vincent Beardsley (1872-1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He is one of the important Modern Style (British Art Nouveau style) figures.
In this drawing, Aubrey Beardsley illustrates an early scene in Alexander Pope’s satirical masterpiece The Rape of the Lock (1712) in which the heroine, Belinda, primps in her boudoir. Reflecting the poem’s emphasis on contrived rather than natural beauty, the drawing is densely layered with artifice. A view of an idyllic garden with a cupola-topped pavilion is glimpsed not through a window as it would first seem, but on a folding screen. The bejeweled bottles littering the table serve as emblems of Belinda’s vanity.
The Toilet, from The Rape of the Lock by Alexander Pope, 1895-1896 (lithograph), by Aubrey Beardsley

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