361. 树木繁茂的古典景观,人物休息在前景,沐浴在河,远处一座城镇` A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond by John Wootton 高清作品[20%]

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A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond-

图片文件尺寸: 3480 x 1943px

树木繁茂的古典景观,人物休息在前景,沐浴在河,远处一座城镇-约翰·伍顿

~ A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond--John Wootton (English, 1686–1765)

363. \\“我墨西哥人,在我人生的每一步和每一次呼吸,我都在纪念我的土著遗产的残余,”在东洛杉矶长大的吉塞拉·拉米雷斯说\\她说:“文化不应该停滞不前,而应该进化。”。(2018年) by Jamil Hellu 高清作品[20%]

材质 :Digital pigment print 尺寸 :111.8 × 78.1 cm Photography

\\“我墨西哥人,在我人生的每一步和每一次呼吸,我都在纪念我的土著遗产的残余,”在东洛杉矶长大的吉塞拉·拉米雷斯说\\她说:“文化不应该停滞不前,而应该进化。”。(2018年)-Jamil灯

英文名称:\\\"I\'m Mexican born, honoring the remnants of my indigenous legacy at every step and breath of my path,\\\" says Gisella Ramirez who grew up in East Los Angeles. \\\"Cultures are not meant to be stagnant, they are meant to evolve,\\\" she states. (2018) | Available for Sale-Jamil Hellu

364. 雖然我看起來被遺留在那裡,事實上在你們死亡之後我持續的佔領整個世界,我向宇宙傳送我的訊息因為我你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰主人。 (2021) by Lin Chun-Pin 林俊彬 高清作品[20%]

雖然我看起來被遺留在那裡,事實上<em>是</em>在你們死亡之後我持續的佔領整個<em>世界</em>,我向宇宙傳送我的訊息<em>是</em>因為我<em>是</em>你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰<em>是</em>主人。 (2021)

材质 :鋼彈模特零件、綜合媒材、木板 GUNdam PLAstic Model、 Mixed Media on wood 尺寸 :142 × 240 × 30.5 cm Sculpture

雖然我看起來被遺留在那裡,事實上在你們死亡之後我持續的佔領整個世界,我向宇宙傳送我的訊息因為我你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰主人。 (2021)-Lin Chun-Pin 林俊彬

英文名称:雖然我看起來被遺留在那裡,事實上在你們死亡之後我持續的佔領整個世界,我向宇宙傳送我的訊息因為我你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰主人。 (2021)-Lin Chun-Pin 林俊彬

365. 它现在时候让那些谈论污染的人加入到正在采取行动的人们来了` Its time for the people who talk about pollution to join people who are doing something about it (1960) by Charles Saxon 高清作品[20%]

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Its time for the people who talk about pollution to join people who are doing something about it (1960) -

图片文件尺寸: 9690 x 7155px

它现在时候让那些谈论污染的人加入到正在采取行动的人们来了-查尔斯·萨克森

~ Its time for the people who talk about pollution to join people who are doing something about it (1960) --Charles Saxon (美国艺术家, 1920-1988)

366. 虽然现在离开了这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都来自每个画廊的艺术家,但哀叹这一事实,而不三个小狗屎没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[20%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她一生都在悉尼的三个商业画廊工作过,有三个孩子,每一个都来自每个画廊的艺术家,但哀叹这一事实,而不三个小狗屎没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

368. 它现在时候让那些谈论污染的人加入到正在采取行动的人们来了` Its time for the people who talk about pollution to join the people who are doing something about it by Charles Saxon 高清作品[20%]

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Its time for the people who talk about pollution to join the people who are doing something about it-

图片文件尺寸: 5718 x 4330px

它现在时候让那些谈论污染的人加入到正在采取行动的人们来了-查尔斯·萨克森

~ Its time for the people who talk about pollution to join the people who are doing something about it--Charles Saxon (美国艺术家, 1920-1988)

369. 所罗门之歌你的爱人去了哪里,啊,你女人最美丽的` The Song of Solomon &#8211; Whither is thy Beloved gone, O thou fairest among Women by Sir Edward Coley Burne-Jones 高清作品[20%]

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The Song of Solomon – Whither is thy Beloved gone, O thou fairest among Women-

图片文件尺寸: 2594 x 3220px

所罗门之歌你的爱人去了哪里,啊,你女人最美丽的-爱德华·科利·伯恩·琼斯爵士

~ The Song of Solomon – Whither is thy Beloved gone, O thou fairest among Women--Sir Edward Coley Burne-Jones (English, 1833 – 1898)

370. 细想她,她一个场合,不无关紧要的,也不一个包罗万象的,不落后的,不柔韧的或可替代的,一个矛盾的左右,她在心,就像浸透在紫色长袍的藏红花太阳,开始和起源谁的意愿将开花(2020) by Rina Banerjee 高清作品[20%]

Contemplate she,she is the occasion, not tangential,nor a catch all, not behind, not pliable or replaceable,a paradoxical left and right,she is in the center like saffron sun drenched in purple robes, the beginning and origin who’s willingness will flower (2020) | Available for Sale

材质 :Acrylic and ink on WC paper 尺寸 :38.1 × 27.9 cm Drawing, Collage or other Work on Paper

细想她,她一个场合,不无关紧要的,也不一个包罗万象的,不落后的,不柔韧的或可替代的,一个矛盾的左右,她在心,就像浸透在紫色长袍的藏红花太阳,开始和起源谁的意愿将开花(2020)-班尼杰(Indian, b. 1963)

英文名称:Contemplate she,she is the occasion, not tangential,nor a catch all, not behind, not pliable or replaceable,a paradoxical left and right,she is in the center like saffron sun drenched in purple robes, the beginning and origin who’s willingness will flower (2020) | Available for Sale-Rina Banerjee