材质 : 尺寸 : Video\\\\u002FFilm\\\\u002FAnimation
1992年3月13日，玛丽亚·康斯坦蒂诺娃和尼古拉·科兹洛夫在中央艺术家之家举办的1990年前后苏联艺术展（Binazionale）开幕式上-瓦迪姆·扎哈罗夫(Russian, b. 1959)
英文名称:Maria Konstantinova and Nikolai Kozlov at the opening of Soviet Art around 1990 (Binazionale) at the Central House of Artists, March 13, 1992 (1992)-Vadim Zakharov
图片文件尺寸: 4900 x 6616px
雅各布·德沃斯·雅各布松的肖像（1803-1878）。阿姆斯特丹艺术收藏家和历史美术馆的所有者-Nicolaas Pieneman先生
` Portrait of Jacob de Vos Jacobszoon (1803`1878). Amsterdam Art Collector and Owner of the Historical Gallery De Vos (1860) --Nicolaas Pieneman (荷兰艺术家, 1809 – 1860)
图片文件尺寸: 6843 x 3797px
有孩子的女子（中央小组）圣安德鲁和弗朗西斯（内侧）三联画-安布罗修斯·本森
` The Virgin with Child (central panel); Saints Andrew and Francis (inner side) Triptych (1530) --Ambrosius Benson (荷兰艺术家, 1519-1550)
图片文件尺寸: 2404 x 3468px
小个子男人坐在大头骨上圆圈的中央-亚瑟·拉克姆
~ The little man had seated himself in the centre of the circle upon the large skull (1911) --Arthur Rackham (English, 1867-1939)
图片文件尺寸: 3463 x 4266px
L处机器廊道中央穹顶1889年世界博览会-路易斯·贝鲁德
~ Le dôme central de la galerie des machines à lexposition universelle de 1889 (1890) --Louis Béroud (法国艺术家, 1852–1930)
图片文件尺寸: 3805 x 2496px
中央池塘环绕的宫殿花园景观-丹尼尔·马罗的经典建筑
~ View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (ca. 1700–1720) --Daniel Marot the Elder (法国艺术家, 1661-1752)
图片文件尺寸: 3463 x 4266px
L处机器廊道中央穹顶1889年世界博览会-路易斯·贝鲁德
~ Le dôme central de la galerie des machines à lexposition universelle de 1889 (1890) --Louis Béroud (法国艺术家, 1852–1930)
A PORTABLE TRIPTYCH: THE CRUCIFIXION (CENTRAL PANEL); DONATOR WITH ST JOHN THE BAPTIST (LEFT WING); DONATOR WITH ST MARGUERITE OF ANTIOCHE (RIGHT WING)-ATTRIBUTED-TO-PIETER-CLAEISSENS-THE-ELDER-
（便携式三联画：十字架（中央面板）；圣约翰浸信会捐赠者（左翼）；安提阿圣玛格丽特捐赠者（右翼）-归因于PIETER-CLAEISSENS-THE-ELDER-（1500-1576）和北荷兰学校-CIRCA-1550-）
图片文件尺寸: 4032×6000 px
幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板-丰原久一家
-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.
图片文件尺寸: 3867 x 2246px
天花板的装饰设计，带有丝线边框和中央徽章-朱尔斯·爱德蒙·查尔斯·拉切斯
~ Design for the decoration of a ceiling with filagree borders and a central medallion (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)