351. Kehmatel(核裂变):产生碎片不是同一种元素,产生元素总结合能是自发衰变自然形式…。,2017 by Dannielle Tegeder 高清作品[28%]

Kehmatel (nuclear fission): the resulting fragments are not the same element and the total binding energy of the resulting elements is a natural form of spontaneous decay…., 2017

材质 :Gouache, ink, colored pencil, graphite, water-based spray paint, pastel on Fabriano Murillo paper 尺寸 :200 × 140 cm Painting

图片文件尺寸 : 5630 x 4332px

Kehmatel(核裂变):产生碎片不是同一种元素,产生元素总结合能是自发衰变自然形式…。,2017-丹妮尔·特盖德(American, b. 1971)

英文名称:Kehmatel (nuclear fission): the resulting fragments are not the same element and the total binding energy of the resulting elements is a natural form of spontaneous decay…., 2017-Dannielle Tegeder

352. 意大利北部学校,2。16一半。在19世纪,绘画大师、直到1900年版画、微型画` by Norditalienische Schule, 2. Hälfte des 16. Jahrhunderts 高清作品[28%]

DO-Norditalienische Schule, 2. Hälfte des 16. Jahrhunderts - Meisterzeichnungen, Druckgraphik bis <em>19</em>00, Aquarelle u. Miniaturen
图片文件像素:4600 x 3500 px

意大利北部学校,2。16一半。在19世纪,绘画大师、直到1900年版画、-

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设计为一幅带有纹章卡通画,由四个putti装框,棕色羽毛覆盖在黑色粉笔痕迹上,棕色水洗,在纸上,18;x;14,8;厘米,帕塞普,无框架(Sch)

353. 19世纪,路易十五风格镀金青铜镶嵌日本瓷器上漆木钟,形成大烛台 - A-Louis-XV-style-gilt-Brown-mounted-Japanese-Cellar-and-Laquer-wood-clock-forming-candelabra-19世纪 高清作品[28%]

A Louis XV style gilt-bronze mounted Japanese porcelain and lacquered wood clock forming candelabra, <em>19</em>th century-A-Louis-XV-style-gilt-bronze-mounted-Japanese-porcelain-and-lacquered-wood-clock-forming-candelabra-<em>19</em>th-century

A Louis XV style gilt-bronze mounted Japanese porcelain and lacquered wood clock forming candelabra, 19th century-A-Louis-XV-style-gilt-bronze-mounted-Japanese-porcelain-and-lacquered-wood-clock-forming-candelabra-19th-century
19世纪,路易十五风格镀金青铜镶嵌日本瓷器上漆木钟,形成大烛台-A-Louis-XV-style-gilt-Brown-mounted-Japanese-Cellar-and-Laquer-wood-clock-forming-candelabra-19世纪

355. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[28%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (20<em>19</em>) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

356. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[28%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (20<em>19</em>) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

357. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义 by Michael van Ofen 高清作品[28%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen