351. 2010年11月8日，亚琛Boxgraben 100学生视觉传达图片实验室，亚琛设计学院学习课程 by Christopher Williams 高清作品[27%]

Fachhochschule Aachen Fachbereich Gestaltung Studiengang: Visuelle Kommunikation Fotolabor für Studenten Boxgraben 100, Aachen, November 8, 2010 (2010)

材质 :Digital pigment print 尺寸 :61 × 50.8 cm Photography

2010年11月8日，亚琛Boxgraben 100学生视觉传达图片实验室，亚琛设计学院学习课程-克里斯托弗·威廉姆斯(American, b. 1956)

英文名称:Fachhochschule Aachen Fachbereich Gestaltung Studiengang: Visuelle Kommunikation Fotolabor für Studenten Boxgraben 100, Aachen, November 8, 2010 (2010)-Christopher Williams

356. 参观动物园，河马`Visit the Zoo, Hippopotamus by Federal Art Project 高清作品[26%]

AF-Visit the Zoo, Hippopotamus

图片文件尺寸: 5478×7200 px

参观动物园，河马-联邦艺术项目

-Poster promoting the Zoo as a place to visit, showing a Hippopotamus.

Visit the Zoo, Hippopotamus (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.

357. 参观动物园，朱鹭`Visit the Zoo, Ibis by Federal Art Project 高清作品[26%]

AF-Visit the Zoo, Ibis

图片文件尺寸: 5480×7200 px

参观动物园，朱鹭-联邦艺术项目

-Poster promoting the Zoo as a place to visit, showing Ibis.

Visit the Zoo, Ibis (Poster), by Federal Art Project, WPA

The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.

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