材质 :Faux tortoiseshell chinoiserie lacquer onto an oak ground. Brass, iron and steel to the movement 尺寸 :259 cm Design\\\\u002FDecorative Art

一款独特的安妮女王时期仿龟甲中式漆长壳钟（1711-1714）-弗朗西斯·格雷格(British, circa 1677 –1724)

英文名称:An exceptional Queen Anne period faux tortoiseshell chinoiserie lacquer longcase clock (1711-1714)-Francis Gregg

材质 :Silvered Bronze, Patinated Bronze, Rouge Breccia Marble 尺寸 :226 × 56 × 56 cm Design\\\\u002FDecorative Art

路易十五时期的重要火炬对（约1890年）-未知（法语），19世纪

英文名称:Important Pair of Torchères in the Louis XV Manner (ca. 1890)-Unknown (French), 19th Century

材质 :Argentic print 尺寸 :50 × 60 cm Photography

来自路易十五时期梳妆台的大理石，卡罗尔（2005）-朱利安·斯皮瓦克(French, b. 1984)

英文名称:Marble from a Louis XV period dresser, Carole (2005)-Julien Spiewak

材质 :Lacquer 尺寸 :80 × 63.5 cm Design\\\\u002FDecorative Art

一个罕见的摄政时期涂有中国漆的镀金圆形书架（约1810年）-未知的(Unknown)

英文名称:A RARE REGENCY PERIOD PAINTED AND GILDED CIRCULAR BOOKCASE WITH CHINESE LACQUER PANELS (ca. 1810)-Unknown

材质 :Cocus wood, glass, sand 尺寸 :16.5 cm Design\\\\u002FDecorative Art

科克斯伍德摄政时期的沙子计时玻璃（约1810年）-英国，19世纪

英文名称:Regency Sand Timing Glass in Cocus Wood (ca. 1810)-England, 19th century

A PAIR OF CHINESE EXPORT ARMORIAL PLATES, QING DYNASTY, KANGXI PERIOD, CIRCA 1720-A-PAIR-OF-CHINESE-EXPORT-ARMORIAL-PLATES-QING-DYNASTY-KANGXI-PERIOD-CIRCA-1720
（一对中国出口军械牌，清康熙年间，约1720年-一对中国出口军械牌清朝康熙时期约1720年）

图片文件尺寸 : 14592×19080 px

奥古斯都时期的图片收藏家-Lawrence Alma-Tadema

-Lawrence Alma-Tadema

图片文件尺寸: 4618 x 2885px

马厩里的两匹马-罗莎·博涅

` Two Horses In A Stable--Rosa Bonheur (法国艺术家, 1822-1899)

图片文件尺寸: 3116×6000 px

雨中的两只苍鹭-奥哈拉·科松

-Two herons in the rain (illustration), by Ohara Koson

图片文件尺寸: 6400×4251 px

《云中的两条龙》，1885年-卡诺霍盖

-This highly naturalistic rendering of two intertwining dragons glistening amidst the clouds represents a bold experiment in adapting Western techniques to traditional Japanese ink painting. Kanö Högai derived the sense of depth and three-dimensional perspective seen here from the Western oil paintings that were newly introduced in late nineteenth-century Japan, while the subtle gradations of ink tones and calligraphic clarity of the lines reflect his training in Japanese brush painting. The subject of dragons was a popular one in Japanese painting, but the combination of an adult with a young dragon is unusual and may have been inspired by the mother and child theme that Högai was using in his Buddhist paintings, which in turn were based on Western depictions of the Madonna and Child. This dramatic, large-scale work was painted for Högai\'s friend and patron Ernest F. Fenollosa, an 美国艺术家 who encouraged the revival of the Kanö school of Japanese artists in the late nineteenth century.