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1887年斯皮林根滑坡后的葬礼-恩斯特·斯图克伯格

~ The Funeral After The Landslide Of Spiringen, Uri 1887 (1893) --Ernst Stückelberg (瑞士画家, 1831 – 1903)

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亚历山大·波普强奸锁后的厕所-奥布里·比尔兹利

-Aubrey Vincent Beardsley (1872-1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He is one of the important Modern Style (British Art Nouveau style) figures.
In this drawing, Aubrey Beardsley illustrates an early scene in Alexander Pope’s satirical masterpiece The Rape of the Lock (1712) in which the heroine, Belinda, primps in her boudoir. Reflecting the poem’s emphasis on contrived rather than natural beauty, the drawing is densely layered with artifice. A view of an idyllic garden with a cupola-topped pavilion is glimpsed not through a window as it would first seem, but on a folding screen. The bejeweled bottles littering the table serve as emblems of Belinda’s vanity.
The Toilet, from The Rape of the Lock by Alexander Pope, 1895-1896 (lithograph), by Aubrey Beardsley

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单峰骆驼面部肌肉切除后的头部-约翰·埃里克·维斯蒂·博阿斯

~ Head Of Dromedary After Removal Of Facial Muscles (1908~1925) --Johan Erik Vesti Boas (丹麦画家, 1855-1935)

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化妆舞会后的肖像（迪茨·蒙宁夫人肖像）-埃德加·德加

~ Portrait after a Costume Ball (Portrait of Madame Dietz~Monnin) (1879) --Edgar Degas (法国艺术家, 1834-1917)

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追捕后的戴安娜-纳西丝·维吉尔·迪亚兹·德拉培尼亚

~ Diana After the Hunt (ca. 1848) --Narcisse-Virgile Diaz de La Peña (法国艺术家, 1808 - 1876)

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解冻后的傍晚。哥本哈根以北-维尔赫姆·基恩

~ Evening after a Thaw. Taabæk, North of Copenhagen (1850 – 1859) --Vilhelm Kyhn (丹麦画家, 1819–1903)

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艾森施塔特埃斯特哈西城堡的室内，可欣赏到赫尔曼·克恩（Hermann Kern）设计的玛丽亚·特里森厅（Maria Theresien Hall）-赫尔曼·克恩

~ Interieur aus dem Schloss Esterhazy in Eisenstadt mit Blick in den Maria~Theresien~Saal--Hermann Kern (奥地利艺术家, 1838-1912)

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法兰克福的祭坛画，描绘了赫拉克利乌斯皇帝进入耶路撒冷时对真十字架的赞美-亚当·埃尔斯海默

~ The Frankfurt Altarpiece of the Exaltation of the True Cross, Emperor Heraclius’ Entry into Jerusalem (1603 – 1605) --Adam Elsheimer (德国艺术家, 1578 - 1610)

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莱顿围城解除后的饥饿人民-奥托·范文

` The Famished People after the Relief of the Siege of Leiden (1574 ` 1629) --Otto van Veen (Flemish, 1556 - 1629)

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投降后的德国舰队，福斯湾，1918年11月21日-詹姆斯·帕特森

-The 德国艺术家 fleet after surrender, Firth of Forth, 21 November 1918 (Oil on Canvas), by James Paterson