图片文件尺寸: 3576 x 5099px
阿拉伯花纹保存在博物馆的布料乌得勒支(14世纪)-埃米尔·普里塞d冒险
~ Arabesques; étoffe conservée au musée Utrecht (XIVe. siècle) (1877) --Émile Prisse d\'Avennes (法国艺术家, 1807-1879)
材质 :Oil and egg tempera on linen 尺寸 :60 × 42 cm Painting
3_2 1[绿色的麦当娜][之后:拉斐尔·桑蒂,绿色的麦当娜,113×88厘米,杨木上的油,1505-1506,维也纳艺术历史博物馆。在:明信片,维也纳艺术历史博物馆,GG 175,2013/1072。](2021)-Jochen Plogsties
英文名称:3_21 [Madonna im Grünen] [Nach: Raffael Santi, Madonna im Grünen, 113 × 88 cm, Öl auf Pappelholz, 1505–1506, Kunsthistorisches Museum Wien. In: Postkarte, Kunsthistorisches Museum Wien, GG 175, 2013/1072.] (2021)-Jochen Plogsties
图片文件尺寸: 6477×7000 px
参观动物园、白鹭和琵鹭-联邦艺术项目
-Poster promoting the Zoo as a place to visit, showing Egret and Spoonbill.
Visit the Zoo, Egret and Spoonbill (Poster), by Federal Art Project, WPA
The Federal Art Project (1935-1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented 美国艺术家 design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression.