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文明的进步锻造厂、商业和教育(壁画研究,爱荷华州得梅因州议会大厦)-肯扬·考克斯。
~ The Progress of Civilization; The Forge, Commerce, and Education (mural study, State Capitol, Des Moines, Iowa) (1905~1906) --Kenyon Cox (美国艺术家, 1856-1919)
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巧克力我们的美国devich和在亚历山大修道院。扎普雷斯托尔灯泡,背景和,Podsvechniki、zamok、椅子和美丽的Margarit Alekseevny香水-费多格里戈里耶维奇
~ Kolokolnia v Uspenskom devichem monastyre goroda Aleksandrova. Zaprestolnyi krest, fonar, podsvechniki, zamok, stul i peremenat tsarevny Margarity Alekseevny (1849 ~ 1853) --Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)
材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography
佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯
英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu