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森林中的风景,三联画的外右翼-吉拉德·大卫
~ View in a Forest, outer right wing of a triptych (c. 1505 ~ c. 1515) --Gerard David (荷兰艺术家, 1460-1523)
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圣母玛利亚和大天使加布里埃尔的《通知》,德累斯顿三联画-简·范艾克先生
-Jan van Eyck ( 1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.
The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish.
The paintings of the two outer wings become visible when the triptych is closed. They show the Virgin Mary and Archangel Gabriel in an Annunciation scene painted in grisaille, which because of their near-monochrome colouring give the impression that the figures are sculpted. The three inner panels are set in an ecclesiastical interior. In the central inner panel Mary is seated and holds the Christ Child on her lap. On the left hand wing Archangel Michael presents a kneeling donor, while on the right St. Catherine of Alexandria stands reading a prayer book.
The Annunciation, Virgin Mary and Archangel Gabriel, Dresden Triptych (Oil on Canvas), by Jan van Eyck
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圣多纳图斯和多纳图斯·德摩尔,皮埃塔三联画,左幅-圣露西传奇大师
-Master of the Legend of Saint Lucy (1480-1510) was an unidentified Early Netherlandish painter from Bruges. His name comes from an altarpiece in the church of Saint James in Bruges, dated 1480, depicting three scenes from the life of Saint Lucy.
Saint Donatus and Donatus de Moor, Pieta Triptych, Left Panel (Oil on Canvas), by Master of the Saint Lucy Legend