335. 奥托十字现代` by Otto Dix 高清作品[20%]

DO-Otto Dix  - Moderne
图片文件像素:4800 x 3400 px

奥托十字现代-

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(Gera 1891–1969 Singen)
Alte Dirne, 1922, signed, dated Dix 22, titled and inscribed II. Zustand/ I. Probedruck, drypoint on wove paper, image size 35 x 28 cm, sheet size 49.5 x 43.5 cm, published by Heiner Schilling, Dresdner Verlag, Dresden, framed

336. 埃贡·席勒-现代` by Egon Schiele 高清作品[20%]

DO-Egon Schiele - Moderne
图片文件像素:4800 x 3400 px

埃贡·席勒-现代-

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(Tulln 1890–1918 Wien)
Kauernde, 1914, drypoint on laid paper (‘Massimilianicobütten’), one of 100 copies on this paper after, plate size 47.9 x 31.7 cm, sheet size 64.8 x 45.9 cm, published 1919 by Avalun-Verlag/Vienna, Kallir 6b

In 1919 the Avalun-Verlag announced the edition of this print comprising 50 copies on japan paper, 50 copies on french laid paper and 100 copies on laid paper Massimilianicobütten. Only a small part of the total edition was sold. The sold copies were numbered and on recto stamped with the signature stamp. The unsold sopies remained unnumbered and unstamped. In 1922 80 of the remaining copies were included into the portfolio ‘Das Graphische Werk von Egon Schiele’, Rikola-Verlag/Vienna. Most of these copies are stamped on the reverse with the signature stamp. The further remaining copies were sold later individually and most of them are unstamped. So our copy is probably one of the individually sold unnumbered and unstamped examples. Please ask for condition report.

337. 黄铜罗赛-现代` by Ottone Rosai 高清作品[20%]

DO-Ottone Rosai  - Moderne
图片文件像素:4800 x 3400 px

黄铜罗赛-现代-

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(Florence 1895–1957 Ivrea)
Croce fiorentina (Siena), 1939, signed and dated; titled on the reverse, oil on canvas, 40 x 50 cm, framed

This work is accompanied by a photo certificate issued by Luigi Cavallo

339. 奥托·穆勒-现代` by Otto Mueller 高清作品[20%]

DO-Otto Mueller - Moderne
图片文件像素:4800 x 3400 px

奥托·穆勒-现代-

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(Liebau 1874–1930 Breslau)
Hockendes und knieendes Mädchen, c. 1912, Lithograph on smooth, yellowish paper, signed Otto Mueller, image size 32.6 x 43.2 cm, sheet size 38 x 49.7 cm, Karsch 31,

Karsch only knows of one copy, but suspects 3 existing prints. The present example is thus the second that has become known. The overall effect of our copy is clearer than that illustrated by Karsch, which is printed with a lot of tone, especially in the sky and on the left edge. In contrast to this, the present example shows a light gray area over the back of the kneeling girl, which is not recognizable on the print illustrated by Karsch. From 1908 Otto Mueller used what he called an “old stone” for his lithographs, with a semi-circular edge chipping.