材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源（2020年，作为她的艺术实践的延伸，马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国是世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。（2021年）-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

图片文件尺寸: 2596 x 3688px

拉撒路从洛伦佐·吉贝蒂（Lorenzo Ghiberti）长大圣洗礼堂门，佛罗伦萨-约翰·弗拉克斯曼

~ The Raising of Lazarus, from Lorenzo Ghibertis Baptistery Doors, Florence (1787) --John Flaxman (English, 1755-1826)

图片文件尺寸: 5200×4293 px

女士和独角兽，我唯一的愿望-老主人

-The Lady and the Unicorn is the modern title given to a series of six tapestries created in the style of mille-fleurs (meaning: \"thousand flowers\") and woven in Flanders from wool and silk, from designs (\"cartoons\") drawn in Paris around 1500.
The lady stands in front of a tent, across the top of which is inscribed her motto \"À Mon Seul Désir\", one of the deliberately obscure, highly crafted and elegant mottos, often alluding to courtly love, adopted by the nobility during the age of chivalry.It is variously interpretable as \"to my only/sole desire\", \"according to my desire alone\"; \"by my will alone\", \"love desires only beauty of soul\", \"to calm passion\". Her maidservant stands to the right, holding open a chest. The lady is placing the necklace she wears in the other tapestries into the chest. To her left is a low bench with a dog, possibly a Maltese sitting on a decorative pillow. It is the only tapestry in which she is seen to smile. The unicorn and the lion stand in their normal spots framing the lady while holding onto the pennants.

A PAIR OF CHARLES II SILVER-GILT TOILET BOXES, MAKERS MARK A M IN MONOGRAM CROWNED, PROBABLY FOR ARTHUR MANWARIN, LONDON, CIRCA 1680-A-PAIR-OF-CHARLES-II-SILVER-GILT-TOILET-BOXES-MAKER#x27;S-MARK-A-M-IN-MONOGRAM-CROWNED-PROBABLY-FOR-ARTHUR-MANWARIN-LONDON-CIRCA-1680
（一对查尔斯二世镀银马桶盒，制造商在花押字上标记了一个M，可能是1680年左右为伦敦的阿瑟·曼瓦林制作的-一对查尔斯二世镀银马桶盒制造商#x27；S-MARK-A-M-IN-MONOGRAM-crowed-maybuly-FOR-ARTHUR-MANWARIN-LONDON-CIRCA-1680）

图片文件尺寸: 3060 x 2462px

愿望的罪或匿名垂涎的恐惧症

` Le Péché dEnvie ou La Panhard Convoitée (1914) -

Portrait of a Man with an Attendant-Jan-Matejko
（一名男子和一名随从的肖像-简·马特伊科）

A CHARLES II LARGE SILVER-GILT CAUDLE CUP, MAKERS MARK AH MULLET ABOVE PROBABLY FOR ABRAHAM HIND(E), LONDON, 1679-A-CHARLES-II-LARGE-SILVER-GILT-CAUDLE-CUP-MAKER#x27;S-MARK-AH-MULLET-ABOVE-PROBABLY-FOR-ABRAHAM-HIND
（1679年，伦敦，查尔斯二世时期的一个镀银大杯，上面的制造商马克·阿穆勒（MARK AH MULLET）可能是为亚伯拉罕·辛德（ABRAHAM HIND，E）设计的-A-CHARLES-II-LARGE-SILVER-GILT-CAUDLE-CUP-MAKER#x27；S-MARK-AH-MULLET-ABRAHAM-HIND（东）-伦敦-1679）

A CONCERT IN AN ELEGANT INTERIOR, WITH A HARP PLAYER AND A FLUTIST, WITH VARIOUS ONLOOKERS, INCLUDING ONE DANCING FEMALE HOLDING A FAN; A CONCERT IN AN ELEGANT INTERIOR, WITH A WOMAN PLAYING THE GUITAR ACCOMPANIED BY A YOUNG SINGER, AS THEIR TEACHER AND OTHERS LOOK ON-LOUIS-CHOQUET
（一场在优雅室内举行的音乐会，有一名竖琴演奏者和一名长笛演奏者，观众众多，包括一名手持扇子的舞女；一场优雅室内的音乐会，一名女子在一名年轻歌手的伴奏下弹奏吉他，老师和其他人在一旁观看-路易·乔奎特）

材质 :鋼彈模特零件、綜合媒材、木板 GUNdam PLAstic Model、 Mixed Media on wood 尺寸 :142 × 240 × 30.5 cm Sculpture

雖然我看起來被遺留在那裡，事實上是在你們死亡之後我持續的佔領整個世界，我向宇宙傳送我的訊息是因為我是你唯一可以被留下來的遺跡，我高掛在這裡，成為你潛意識裡的紀念碑，永遠暗示著你，誰是主人。 (2021)-Lin Chun-Pin 林俊彬

英文名称:雖然我看起來被遺留在那裡，事實上是在你們死亡之後我持續的佔領整個世界，我向宇宙傳送我的訊息是因為我是你唯一可以被留下來的遺跡，我高掛在這裡，成為你潛意識裡的紀念碑，永遠暗示著你，誰是主人。 (2021)-Lin Chun-Pin 林俊彬

图片文件尺寸: 2520 x 4000px

斯芬克斯。。。我的凝视，什么都不能改变，仍然在一个无法接近的地平线上紧张地看着事情。我是一个快乐的女人-奥迪隆·雷登

Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)