331. 斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by 奥迪隆·雷东 高清作品[27%]


Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

图片文件尺寸: 2520 x 4000px

斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人-奥迪隆·雷登

Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)

332. 斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人` Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) by Odilon Redon 高清作品[27%]

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Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) -

图片文件尺寸: 2520 x 4000px

斯芬克斯。。。我凝视,什么都不能改变,仍然在一个无法接近地平线上紧张地看着事情。我一个快乐女人-奥迪隆·雷登

~ Le Sphynx…mon regard que rien ne peut devier, demeure tendu a travers les choses sur un horizon inaccessible. La Chimere – Moi, Je suis legere et joyeuse (1889) --Odilon Redon (法国艺术家, 1840-1916)

336. 虽然现在离开了这个行业,但她一生都在悉尼三个商业画廊工作过,有三个孩子,每一个都来自每个画廊艺术家,但哀叹这一事实,而不三个小狗屎中没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[26%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她一生都在悉尼三个商业画廊工作过,有三个孩子,每一个都来自每个画廊艺术家,但哀叹这一事实,而不三个小狗屎中没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

337. 新古典主义建筑设计,被认为斯德哥尔摩市艺术学校` Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) by Louis Gustave Taraval 高清作品[26%]

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Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) -

图片文件尺寸: 3824 x 2186px

新古典主义建筑设计,被认为斯德哥尔摩市艺术学校-路易·古斯塔夫·塔拉瓦尔

~ Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)

338. 一套四张展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊小琴海报,1966b。di fontana工作室ZERO Group海报,1965c。马可尼工作室小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年 - 各种各样艺术家 高清作品[26%]

A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967

  • Various Artists
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967
  • posters printed in colours
  • A Set of Four Exhibition Posters of Hsiao Chin, Cinobio Group, and ZERO Group Avant-gardea. Hsiao Chin Poster from Rose Fried Gallery, 1966b. ZERO Group Poster from Atelier di fontana, 1965c. Hsiao Chin Poster from Studio Marconi, 1967 (two works)d. Cinobio Group Poster, 1967-VARIOUS-ARTISTS
    (一套四张展览海报,分别小津、Cinobio Group和ZERO Group先锋派。罗丝·弗里德画廊小琴海报,1966b。di fontana工作室ZERO Group海报,1965c。马可尼工作室小琴海报,1967年(两件作品)d.Cinobio集团海报,1967年-各种各样艺术家)

    339. 创作蜕变,插图挫折/创作蜕变,插图挫折摄影随笔(2020年) by Claudia Padrón 高清作品[26%]

    Metamorfosis de un creador, ensayo fotográfico Frustraciones ilustradas / Metamorphosis of a Creator, Photographic Essay Illustrated Frustrations (2020) | Available for Sale

    材质 :Print on canvas 尺寸 :84 × 127.5 cm Photography

    创作蜕变,插图挫折/创作蜕变,插图挫折摄影随笔(2020年)-克劳迪娅·帕德龙

    英文名称:Metamorfosis de un creador, ensayo fotográfico Frustraciones ilustradas / Metamorphosis of a Creator, Photographic Essay Illustrated Frustrations (2020) | Available for Sale-Claudia Padrón

    340. 红色起源(2020年,作为她艺术实践延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持人——以便为有需要妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据发达国家。(2021年) by Rose Marcus 高清作品[26%]

    Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

    材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

    红色起源(2020年,作为她艺术实践延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持人——以便为有需要妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

    英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus