331. 回声描绘——威尔·赛尔夫(Will Self)大雅茅斯(Great Yarmouth)的海滨画了一幅漫画艺术家的肖像,同时向我描述了三十年后世界将如何终结,2019年7月10日(2016年9月10日) by Ryan Gander 高清作品[32%]

Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)

材质 :Acrylic on mirror 尺寸 :206.1 × 148.3 × 0.5 cm Painting

回声描绘——威尔·赛尔夫(Will Self)大雅茅斯(Great Yarmouth)的海滨画了一幅漫画艺术家的肖像,同时向我描述了三十年后世界将如何终结,2019年7月10日(2016年9月10日)-瑞安·甘德(British, b. 1976)

英文名称:Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)-Ryan Gander

335. 哈姆雷特&;为什么你!它是如何悄悄溜走的——就门口&; 第三幕,第四场,哈姆雷特` Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[32%]

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Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特&;为什么你!它是如何悄悄溜走的——就门口&; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; ;Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

336. 哈姆雷特;为什么你!它是如何悄悄溜走的——就门口; 第三幕,第四场,哈姆雷特` Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) by Edwin Austin Abbey 高清作品[32%]

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Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) -

图片文件尺寸: 2039 x 2776px

哈姆雷特;为什么你!它是如何悄悄溜走的——就门口; 第三幕,第四场,哈姆雷特-埃德温·奥斯汀修道院

~ Hamlet; Why look you there! look how it steals away – out at the portal! Act III, Scene iv, Hamlet (1902) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

337. 路易十四坎布雷围城,从西南方向(1677年3月20日至4月19日)` Louis XIV at the Siege of Cambrai, Seen from the South~West (March 20–April 19, 1677) (probably 1680s) by studio of Adam Frans van der Meulen 高清作品[32%]

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Louis XIV at the Siege of Cambrai, Seen from the South~West (March 20–April 19, 1677) (probably 1680s) -

图片文件尺寸: 3789 x 1836px

路易十四坎布雷围城,从西南方向(1677年3月20日至4月19日)-亚当·弗兰斯·范德梅伦工作室

~ Louis XIV at the Siege of Cambrai, Seen from the South~West (March 20–April 19, 1677) (probably 1680s) --studio of Adam Frans van der Meulen (Flemish, 1632-1690)

338. \\卢克·安东尼说:“澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你是同性恋时,会有一种双重隔绝的感觉。澳大利亚海滩到标志性的冲浪救生员,是我第一次到我能够性感化的男性身体图像之一。”,他们第一次性交是太平洋的波涛中。(2018年) by Jamil Hellu 高清作品[32%]

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

\\卢克·安东尼说:“澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你是同性恋时,会有一种双重隔绝的感觉。澳大利亚海滩到标志性的冲浪救生员,是我第一次到我能够性感化的男性身体图像之一。”,他们第一次性交是太平洋的波涛中。(2018年)-Jamil灯

英文名称:\\\"Growing up in Australia I really felt isolated from the rest of the world. In a sense, there\'s a feeling of double isolation when you\'re gay. The sight of the iconic surf lifesavers at Aussie beaches was one of the first images of the male body available to me that I was able to sexualize,\\\" says Luke Anthony, whose first sexual encounters were amongst the waves of the Pacific. (2018) | Available for Sale-Jamil Hellu

339. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望世界到的那种温柔、有创意、相互关联的男性气质。(2019年) by Jamil Hellu 高清作品[32%]

“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望世界到的那种温柔、有创意、相互关联的男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu

340. 基督的洗礼(基督半跪左边,背朝下,浸礼者面朝中间,抬头)` The Baptism of Christ (with Christ Half~Kneeling at Left, His Back Turned, and the Baptist Full~Faced at Center, Looking Up) (ca. 1770–90) by Giovanni Domenico Tiepolo 高清作品[31%]

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The Baptism of Christ (with Christ Half`Kneeling at Left, His Back Turned, and the Baptist Full`Faced at Center, Looking Up) (ca. 1770–90) -

图片文件尺寸: 2636 x 3628px

基督的洗礼(基督半跪左边,背朝下,浸礼者面朝中间,抬头)-乔万尼·多门尼克·帖保罗

` The Baptism of Christ (with Christ Half`Kneeling at Left, His Back Turned, and the Baptist Full`Faced at Center, Looking Up) (ca. 1770–90) --Giovanni Domenico Tiepolo (Italian, 1727-1804)