324. “模仿人造花卉真花”——毫无疑问,就目前情况来看,唯一真正艺术园艺家(1974/2018) by William Tillyer 高清作品[28%]

\'real flowers that mimicked artificial ones\' - \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale

材质 :Relief and intaglio printing on Arches paper 尺寸 :65 × 49.5 cm Print

“模仿人造花卉真花”——毫无疑问,就目前情况来看,唯一真正艺术园艺家(1974/2018)-威廉·蒂利尔(British, b. 1938)

英文名称:\'real flowers that mimicked artificial ones\' - \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale-William Tillyer

325. 艺术家题材。19世纪绘画。 by Künstlerfächer 高清作品[28%]

DO-Künstlerfächer - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

艺术家题材。19世纪绘画。

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Insgesamt elf Fächerblätter zusammengefasst unter einem Rahmen, darunter Junge Schönheit von Emil Brack (Naumburg 1860-1905 München) sowie Gabriel von Max (Prag 1840-1915), Steppenreiter von Josef Brandt (Szczebrzeszym 1841-1915 Radom), sowie von Karl Raupp (Darmstadt 1837 -1918 München), Desire Thomassin (Wien 1858-1933 München), Hugo Kotschenreiter (Hof 1854-1908 München), Franz von Defregger(Stronach 1835-1921 München), Otto Pilz (Sonneberg 1876-1934 Dresden), Wilhelm Velten (St. Petersburg 1847-1929 München) und M. Zeno Diemer (München 1867-1939 Oberammergau); Fächerblatt je 26 cm, hoch, ingesamt 63 x 24 cm, in aufwendig gearbeiteten Rahmen,(Rei)

328. 基督复活空坟墓,右边基督向抹大拉马利亚显现` Christ’s Empty Tomb after the Resurrection, with Christ Appearing to Mary Magdalene at the Right (ca. 1600) by Master of the Egmont Albums 高清作品[28%]

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Christ’s Empty Tomb after the Resurrection, with Christ Appearing to Mary Magdalene at the Right (ca. 1600) -

图片文件尺寸: 3000 x 2020px

基督复活空坟墓,右边基督向抹大拉马利亚显现-埃格蒙特唱片大师

~ Christ’s Empty Tomb after the Resurrection, with Christ Appearing to Mary Magdalene at the Right (ca. 1600) --Master of the Egmont Albums (荷兰艺术家,

329. 这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见 by Rina Banerjee 高清作品[28%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝形态,这片海洋,在这无月之夜最黑暗时刻,被褐色地球运动和夜间变化唤醒,最微小看不见生物,可见生物,像信使一样在人们身上翻滚,他们知道更多什么,在下面,看不见-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee

330. 出租车系列:下东区德兰西街,艺术家罗伯特·戈德曼活动艺术组织ABC No Rio(1984)联合创始人, by Joseph Rodriguez 高清作品[28%]

TAXI Series: Delancey Street, Lower East Side, The artist Robert Goldman was a co-founder ofthe activist arts organization ABC No Rio (1984) | Available for Sale

材质 :Silver gelatin print 尺寸 :30.5 × 40.6 cm Photography

出租车系列:下东区德兰西街,艺术家罗伯特·戈德曼活动艺术组织ABC No Rio(1984)联合创始人,-约瑟夫·罗德里格斯(American, b. 1951)

英文名称:TAXI Series: Delancey Street, Lower East Side, The artist Robert Goldman was a co-founder ofthe activist arts organization ABC No Rio (1984) | Available for Sale-Joseph Rodriguez