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Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm (ca. 1770–94) --Louis Gustave Taraval (法国艺术家, 1738–1794)
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Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts) (After 1783) --James Barry (English, 1741-1806)
TWO CHINESE EXPORT ARMORIAL PLATES, QING DYNASTY, KANGXI PERIOD, CIRCA 1712 AND 1715-TWO-CHINESE-EXPORT-ARMORIAL-PLATES-QING-DYNASTY-KANGXI-PERIOD-CIRCA-1712-AND-1715 (两块中国出口军械板,清康熙时期,约1712年和1715年-两个中国出口军械牌清康熙时期大约1712年和1715年)
A PAIR OF CHINESE EXPORT BLUE AND WHITE PLATTERS, QING DYNASTY, QIANLONG PERIOD, LATE 18TH CENTURY-A-PAIR-OF-CHINESE-EXPORT-BLUE-AND-WHITE-PLATTERS-QING-DYNASTY-QIANLONG-PERIOD-LATE-18TH-CENTURY (一对中国出口的蓝色和白色盘子,清朝,乾隆时期,18世纪末-一对中国出口的蓝白盘子——清朝——乾隆时期——18世纪末)
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Ontwerpschets voor Paul Fierens ;lArt Hollandais contemporain; twee mannen hoofden, en profil afgebeeld, van elkaar weg kijkend. (1933) --Leo Gestel (荷兰艺术家, 1881- 1941)
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The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts) (after 1783) --James Barry (English, 1741-1806)
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His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts) (after 1783) --James Barry (English, 1741-1806)
A CHINESE EXPORT ARMORIAL PLATE, QING DYNASTY, QIANLONG PERIOD, CIRCA 1740-A-CHINESE-EXPORT-ARMORIAL-PLATE-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1740 (中国出口的军械板,清代,乾隆时期,约1740年-A-CHINESE-EXPORT-ARMORIAL-PLATE-清代-乾隆时期-大约1740年)