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321. 五个穿着德国文艺复兴时期服装的男人坐在一张桌子旁，在一家客栈里打牌` Five Men at a table in German Renaissance costume, playing cards in an inn (1825) by Paul Mila 高清作品[28%]

图片文件尺寸: 2848 x 2731px

五个穿着德国文艺复兴时期服装的男人坐在一张桌子旁，在一家客栈里打牌-保罗·米拉

~ Five Men at a table in 德国艺术家 Renaissance costume, playing cards in an inn (1825) --Paul Mila (德国艺术家, 1798-1846)

322. 大约1750年，路易十五时期的镀金青铜、法国和梅森瓷器以及日本的红漆和金漆花盆 - A-LOUIS-XV-GILT-Brown-FRENCH-AND-MEISSEN-Cellar-AND-JAPANESE-RED-AND-GOLD-Clair-POT-POURRI-CIRCA-1750 高清作品[28%]

A LOUIS XV GILT BRONZE, FRENCH AND MEISSEN PORCELAIN AND JAPANESE RED AND GOLD LACQUER POT-POURRI, CIRCA 1750-A-LOUIS-XV-GILT-BRONZE-FRENCH-AND-MEISSEN-PORCELAIN-AND-JAPANESE-RED-AND-GOLD-LACQUER-POT-POURRI-CIRCA-1750
（大约1750年，路易十五时期的镀金青铜、法国和梅森瓷器以及日本的红漆和金漆花盆-A-LOUIS-XV-GILT-Brown-FRENCH-AND-MEISSEN-Cellar-AND-JAPANESE-RED-AND-GOLD-Clair-POT-POURRI-CIRCA-1750）

323. 恩索时期`Enso, Edo Period by Mugaku Soen 高清作品[28%]

图片文件尺寸: 6000×3622 px

恩索时期-苏木谷

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.