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311. “比比”——玻璃融合、点画、圆点、光学效果、波普艺术、流行文化、美、魔法、美学、模特、名人、太阳镜，2017年 by Isabelle Scheltjens 高清作品[14%]

材质 :Glass pieces fused on plexiglass 尺寸 :137.2 × 106.7 × 5.1 cm Painting

图片文件尺寸 : 5630 x 4332px

“比比”——玻璃融合、点画、圆点、光学效果、波普艺术、流行文化、美、魔法、美学、、名人、太阳镜，2017年-伊莎贝尔·谢尔特延斯(Belgian, b. 1981)

英文名称:\"Bibi\" -- glass fusing, pointillism, dots, optical effects, pop art, pop culture, beauty, magical, aesthetic, model, celebrity, sunglasses, 2017-Isabelle Scheltjens

312. 1946年，从比基尼环礁看十字路口行动，测试面包师`Operation Crossroads, Test Baker as seen from Bikini Atoll, 1946 by United States Army 高清作品[14%]

图片文件尺寸: 9500×5402 px

1946年，从比基尼环礁看十字路口行动，测试面包师-美国陆军

-Operation Crossroads, Test Baker as seen from Bikini Atoll, July 25, 1946 (Photo), by United States Army

313. 安迪·沃霍尔，杰里·霍尔和贝利的照片，1980年，1980年 by Andy Warhol 高清作品[14%]

材质 :Silver Gelatin Print 尺寸 :20.3 × 25.4 cm Photography

图片文件尺寸 : 5630 x 4332px

安迪·沃霍尔，杰里·霍尔和贝利的照片，1980年，1980年-安迪·沃霍尔。(American, 1928–1987)

英文名称:Andy Warhol, Photograph of Jerry Hall and Pelé, 1980, 1980-Andy Warhol

314. 安迪·沃霍尔1967年电影文化（沃霍尔封面艺术），1967年 by Andy Warhol 高清作品[14%]

材质 :Offset printed 尺寸 :30.5 × 22.9 cm Ephemera or Merchandise

图片文件尺寸 : 5630 x 4332px

安迪·沃霍尔1967年电影文化（沃霍尔封面艺术），1967年-安迪·沃霍尔。(American, 1928–1987)

英文名称:Andy Warhol Film Culture 1967 (Warhol cover art), 1967-Andy Warhol

315. 一个被强行施了魔法的场景`A Scene from, The Forcibly Bewitched by Francisco de Goya 高清作品[14%]

图片文件尺寸: 4510×6400 px

一个被强行施了魔法的场景-弗朗西斯科·德戈亚

-Goya shows us a scene based on a satirical play first performed in 1698: The Forcibly Bewitched. The priest, Don Camillo, is being frightened into marriage with Doña Leonora. He’s been made to believe that a slave, Lucia, has bewitched him, and that his life will last only as long as the lamp in her room remains alight.
We see Camillo eagerly replenishing the oil in the lamp, which is in the form of an almost life-size ram. The inscription in the bottom right contains the first part of two words, lampara descomunal (‘monstrous lamp’) – the words that the fearful and superstitious Camillo cries out loud.
A grotesque painting of dancing donkeys decorates the wall behind, adding to the general air of mystery and sorcery. But the play is a comedy, and the hero’s exaggerated pose and staring eyes are intended to make us laugh at his gullibility.