EIGHT SQUARES WITH A DIFFERENT COLOR IN EACH HALF SQUARE (DIVIDED VERTICALLY AND HORIZONTALLY) COMPOSITE-SOL-LEWITT-
（每半个正方形（垂直和水平分割）中有八个不同颜色的正方形-索尔-莱维特）

材质 :Crocheted cotton and wool yarns stretched on cotton canvas and wood frame, 4.5 needle 尺寸 :160 × 160 × 5 cm Textile Arts

无标题（一点考虑，一点为他人着想，就会产生所有的不同）（2021年）-露露称重

英文名称:Untitled (A little consideration, a little thought for others, makes all the difference) (2021)-Lulu Kaalund

图片文件尺寸: 3061 x 1886px

挂毯（五个织布者）-Paul Serisier.

` La tapisserie (les cinq tisseuses) (1924) --Paul Sérusier (法国艺术家, 1864 - 1927)

图片文件尺寸: 4500×3208 px

五个男孩在岸边，格洛斯特-温斯洛·荷马

-Five boys at the Shore, Gloucester (Watercolor), by Winslow Homer

图片文件尺寸: 3061 x 1886px

挂毯（五个织布工）-保罗·塞鲁塞尔

~ La tapisserie (les cinq tisseuses) (1924) --Paul Sérusier (法国艺术家, 1864 - 1927)

图片文件尺寸: 4096 x 2874px

五个古代场景的小插曲-斯默克

~ Five Vignettes of Scenes from Antiquity--Robert Smirke (English, 1752 - 1845)

图片文件尺寸: 3508 x 3084px

四只不同种类的秃鹫-菲利普·费迪南德·德·汉密尔顿

~ Vier Geier Verschiedener Art (1723) --Philipp Ferdinand de Hamilton (Flemish, ca. 1664 - 1750)

图片文件尺寸: 2716 x 3442px

11种不同甲虫的研究表-阿尔伯特·斯滕贝根

~ Studieblad met elf verschillende kevers (1824 ~ 1900) --Albertus Steenbergen (荷兰艺术家, 1814-1900)

材质 :Acrylic on birch panel 尺寸 :121.9 × 172.7 cm Painting

在我去过的每一个地方，我都是一个不同的人（2020年）-托马斯·克里斯托弗·哈格

英文名称:I\'VE BEEN A DIFFERENT PERSON IN EVERY PLACE I\'VE EVER BEEN (2020)-Thomas Christopher Haag

图片文件尺寸: 6000×3622 px

恩索时期-苏木谷

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.