311. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[26%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

315. 意大利历史反思`Meditation on the History of Italy by Francesco Hayez 高清作品[26%]

AF-Meditation on the History of Italy

图片文件尺寸: 3187×4300 px

意大利历史反思-弗朗西斯科·海耶斯

-Meditation on the History of Italy.
The darkened glance of the beauty in this painting is not really directed at the viewer. She is sunk in thought, looking out of the canvas in a pre-occupied way. In her right hand she holds a folio bearing the words \"Storia d\'Italia\", this is to say a symbol of knowledge. Her left hand holds the symbol of faith, the Cross, that has played so great a part in Italy\'s history. Her naked breast is highly provocative when seen with the black cross of mourning. She is perhaps the allegory of Italy in the 19th century, and the gaze with which this figure of \"Italia\" confronts the viewer creates a suggestive, almost hypnotic effect. She seems to be in a state between waking and dreaming. This is meditation that has not yet reached a solution, meditation in which grief predominates.

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