311. 对一个坐着的男人的研究(为伊莉莎和撒马利亚人,华沙的研究)` Studies of a seated man (Study for ;Elisa and the Samaritan, Warsaw) (ca. 1649) by Gerbrand van den Eeckhout 高清作品[24%]

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Studies of a seated man (Study for ;Elisa and the Samaritan, Warsaw) (ca. 1649) -

图片文件尺寸: 1841 x 3000px

对一个坐着的男人的研究(为伊莉莎和撒马利亚人,华沙的研究)-格布兰德·范·登·埃克霍特

~ Studies of a seated man (Study for ;Elisa and the Samaritan, Warsaw) (ca. 1649) --Gerbrand van den Eeckhout (荷兰艺术家, 1621 - 1674)

312. 对一个坐着的男人的研究(为伊莉莎和撒马利亚人,华沙的研究)` Studies of a seated man (Study for Elisa and the Samaritan, Warsaw) (ca. 1649) by Gerbrand van den Eeckhout 高清作品[24%]

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Studies of a seated man (Study for Elisa and the Samaritan, Warsaw) (ca. 1649) -

图片文件尺寸: 1841 x 3000px

对一个坐着的男人的研究(为伊莉莎和撒马利亚人,华沙的研究)-格布兰德·范·登·埃克霍特

~ Studies of a seated man (Study for Elisa and the Samaritan, Warsaw) (ca. 1649) --Gerbrand van den Eeckhout (荷兰艺术家, 1621 - 1674)

314. 《思想者》青铜雕塑`The Thinker, Bronze Sculpture by Auguste Rodin 高清作品[24%]

AF-The Thinker, Bronze Sculpture

图片文件尺寸: 4552×5800 px

《思想者》青铜雕塑-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.