311. “奥黛丽•蒂芙尼”——波普艺术、波普超现实主义、民粹主义、流行文化、名人、现实主义、新表现主义、奥黛丽、赫本、奥黛丽•赫本，2019年 by Craig Alan 高清作品[18%]

材质 :Mixed Media on board, gloss varnish finish 尺寸 :121.9 × 121.9 × 5.1 cm Painting

图片文件尺寸 : 5630 x 4332px

“奥黛丽•蒂芙尼”——波普艺术、波普超现实主义、民粹主义、流行文化、名人、现实主义、新表现主义、奥黛丽、赫本、奥黛丽•赫本，2019年-克雷格·艾伦(American, b. 1971)

英文名称:\"Audrey @ Tiffany\'s\" -- pop art, pop surrealism, populus, pop culture, celebrity, realism, neo expressionism, Audrey, Hepburn, Audrey Hepburn, 2019-Craig Alan

312. 除非我们能把这两个人分开——我们重新沉没！以英美联盟为主题的二战宣传海报。希特勒和戈培尔是幕后黑手。` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~American alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) 高清作品[18%]

` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo`美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

图片文件尺寸: 4821 x 3225px

除非我们能把这两个人分开——我们重新沉没！以英美联盟为主题的二战宣传海报。希特勒和戈培尔是幕后黑手。

` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo`美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

313. 除非我们能把这两个人分开——我们重新沉没！以英美联盟为主题的二战宣传海报。希特勒和戈培尔是幕后黑手。` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~American alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) 高清作品[18%]

~ Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

图片文件尺寸: 4821 x 3225px

除非我们能把这两个人分开——我们重新沉没！以英美联盟为主题的二战宣传海报。希特勒和戈培尔是幕后黑手。

~ Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

317. 木兰花，1885-1895`Magnolia, 1885-1895 by Martin Johnson Heade 高清作品[18%]

AF-Magnolia, 1885-1895

图片文件尺寸: 4534×2809 px

木兰花，1885-1895-马丁·约翰逊·海德

-Although he may be best known as a landscape painter of New England salt marshes, some of Heade\'s finest works are his sensuous still-lifes of magnolia flowers. After moving to Florida in 1883, Heade became captivated by the Magnolia grandiflora blossoms that were abundant there. This painting depicts a large, voluptuous, highly detailed, and unblemished flower carefully arranged upon a drape of lush red velvet. The creamy white petals have a fleshy quality that appears in stark contrast to the plush velvet and dark green glossy leaves surrounding the flower. Heade is known to have made detailed oil sketches of magnolia blossoms: he used these to paint this subject again and again-sometimes with two or more blossoms, sometimes rearranging the foliage, or setting it against a different surface, but always focusing on the exquisite beauty of the plant.

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