316. “模仿人造花卉的真正花朵”——蒂兰西娅·林德尼“毫无疑问,就目前的情况来看,唯一真正的艺术园艺家。”(1974/2018) by William Tillyer 高清作品[21%]

\'real flowers that mimicked artificial ones\' - Tillandsia Lindeni  \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale

材质 :Relief and intaglio printing on Arches paper 尺寸 :65 × 50.5 cm Print

“模仿人造花卉的真正花朵”——蒂兰西娅·林德尼“毫无疑问,就目前的情况来看,唯一真正的艺术园艺家。”(1974/2018)-威廉·蒂利尔(British, b. 1938)

英文名称:\'real flowers that mimicked artificial ones\' - Tillandsia Lindeni \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale-William Tillyer

317. 学习制造和测试大炮——提高自己,应征入伍,在军械部学习一门技能。` Learn to make and test the big guns – better yourself, enlist and learn a trade in the Ordnance Dept. (1919) by Charles Buckles Falls 高清作品[21%]

~
Learn to make and test the big guns – better yourself, enlist and learn a trade in the Ordnance Dept. (1919) -

图片文件尺寸: 2631 x 2003px

学习制造和测试大炮——提高自己,应征入伍,在军械部学习一门技能。-查尔斯·巴克尔斯瀑布

~ Learn to make and test the big guns – better yourself, enlist and learn a trade in the Ordnance Dept. (1919) --Charles Buckles Falls (美国艺术家, 1874-1974)

319. 这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的什么,在下面,看不见的 by Rina Banerjee 高清作品[21%]

This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018

材质 :Wood panel, acrylic, sequin, marbled and Batik paper, cow horn, thread, copper nails, silver leaf 尺寸 :101.6 × 50.8 × 3.8 cm Painting

图片文件尺寸 : 5630 x 4332px

这最蓝的形态,这片海洋,在这无月之夜最黑暗的时刻,被褐色的地球运动和夜间的变化唤醒,最微小的看不见的生物,可见的生物,像信使一样在人们身上翻滚,他们知道更多的什么,在下面,看不见的-班尼杰(Indian, b. 1963)

英文名称:This bluest of form, this ocean, in the darkest of hour this moonless night, awaked by brown earthly movements, shifts in the night, the tiniest creatures invisible, visible tumble over people as messengers who knew more of what was, in the beneath, invisible, 2018-Rina Banerjee