311. 纽约世界剧院音乐厅礼堂的建议处理方法这是1939年的集市。无文字方案草图,台词草图` Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939. Sketch for unlettered scheme, for proscenium (1938) by Winold Reiss 高清作品[16%]

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Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939. Sketch for unlettered scheme, for proscenium (1938) -

图片文件尺寸: 3316 x 4324px

纽约世界剧院音乐厅礼堂的建议处理方法这是1939年的集市。无文字方案草图,台词草图-温诺德赖斯

~ Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939. Sketch for unlettered scheme, for proscenium (1938) --Winold Reiss (美国艺术家, 1886-1953)

312. 纽约世界剧院音乐厅礼堂的建议处理方法这是1939年的集市。无文字方案草图(鱼鳞图案)` Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939. Sketch for unlettered scheme (fishscale pattern) (1938) by Winold Reiss 高清作品[16%]

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Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939. Sketch for unlettered scheme (fishscale pattern) (1938) -

图片文件尺寸: 3325 x 4322px

纽约世界剧院音乐厅礼堂的建议处理方法这是1939年的集市。无文字方案草图(鱼鳞图案)-温诺德赖斯

~ Suggested treatments of Auditorium for Theatre and Concert Hall, New York Worlds Fair 1939. Sketch for unlettered scheme (fishscale pattern) (1938) --Winold Reiss (美国艺术家, 1886-1953)

313. 饥饿,口渴,以及如何接受你的日常死亡——或者,为什么我们只吃我们想要的东西(一旦我们称重了),2021 by objet A.D 高清作品[16%]

Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021

材质 :Charcoal, Chalk, and Oil-stick on Paper 尺寸 :35.6 × 27.9 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

饥饿,口渴,以及如何接受你的日常死亡——或者,为什么我们只吃我们想要的东西(一旦我们称重了),2021-目标A.D(b. 1993)

英文名称:Hunger, Thirst, and How to Receive Your Daily Dead--or, Why We Only Eat What We Want (Once We\'ve Been Weighed), 2021-objet A.D

316. 第二层:一位年轻女士的全人像。1855年左右的草图,包括8人的草图,包括侏儒,以及带有门、房子、狗树的花园构图。 by Carl Spitzweg 高清作品[15%]

2 Bll.: Ganzfiguriges Porträt einer jungen Dame mit Stola. Skizzenblatt mit 8 Figurenskizzen, darunter Gnome, sowie Gartenkomposition mit Tor, Haus, Hund und Bäumen, Um 1855.

材质 : Pencil

图片文件尺寸 : 4859 x 3695 px

第二层:一位年轻女士的全人像。1855年左右的草图,包括8人的草图,包括侏儒,以及带有门、房子、狗树的花园构图。-卡尔·施皮茨韦格

英文名称:2 Bll.: Ganzfiguriges Porträt einer jungen Dame mit Stola. Skizzenblatt mit 8 Figurenskizzen, darunter Gnome, sowie Gartenkomposition mit Tor, Haus, Hund und Bäumen, Um 1855.-Carl Spitzweg

318. 诺尔工作室郁金香桌,以及诺尔国际MR10侧椅(20世纪60年代/2000年代) by Ludwig Mies van der Rohe, Eero Saarinen 高清作品[15%]

Knoll Studios tulip table, together with Knoll International MR10 side chair (1960s/2000s)

材质 :White laminate, enameled metal, chromed steel, saddle leather 尺寸 :Related artists Design\\\\u002FDecorative Art

诺尔工作室郁金香桌,以及诺尔国际MR10侧椅(20世纪60年代/2000年代)-路德维希·密斯·范德罗、埃罗·萨里宁

英文名称:Knoll Studios tulip table, together with Knoll International MR10 side chair (1960s/2000s)-Ludwig Mies van der Rohe, Eero Saarinen

319. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马比赛的马匹世界是如此可怕的性别歧视;女孩女人通常只被视为性对象,而不是天才的骑手训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[15%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马比赛的马匹世界是如此可怕的性别歧视;女孩女人通常只被视为性对象,而不是天才的骑手训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu