302. 东印度群岛德拉福德分为两个位置,经过德特福德,格林威治以外皇家医院` The East Indiaman Delaford, In Two Positions, Passing Deptford, The Royal Hospital At Greenwich Beyond (1787) by Robert Dodd 高清作品[23%]

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The East Indiaman Delaford, In Two Positions, Passing Deptford, The Royal Hospital At Greenwich Beyond (1787) -

图片文件尺寸: 4000 x 2405px

东印度群岛德拉福德分为两个位置,经过德特福德,格林威治以外皇家医院-罗伯特·多德

~ The East Indiaman Delaford, In Two Positions, Passing Deptford, The Royal Hospital At Greenwich Beyond (1787) --Robert Dodd (English, 1748-1815)

307. 恩索画圈,书法,卷轴,大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[23%]

AF-Enso Circle with Calligraphy, Hanging Scroll, Taisho era

图片文件尺寸: 8500×5087 px

恩索画圈,书法,卷轴,大正时代-中原南登博

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.