303. 早期同时代人对自我的象征性延伸。路德维希·约克·乔里斯之后的面部纹身,1822年(示意图),2016年 by Michael van Ofen 高清作品[11%]

The Symbolic Extension of the Self from the Prospect of the Early Contemporaries. Facial Tattoo after Ludwig York Choris, 1822, (schematic figure), 2016

材质 :Oil on canvas 尺寸 :38 × 32 cm Painting

图片文件尺寸 : 5630 x 4332px

早期同时代人对自我的象征性延伸。路德维希·约克·乔里斯之后的面部纹身,1822年(示意图),2016年-迈克尔·范奥芬(German, b. 1956)

英文名称:The Symbolic Extension of the Self from the Prospect of the Early Contemporaries. Facial Tattoo after Ludwig York Choris, 1822, (schematic figure), 2016-Michael van Ofen

309. 西尔维亚是谁,她是什么,所有的天鹅都称赞她,1896-1900年`Who Is Sylvia, What Is She, That All the Swains Commend Her, 1896-1900 by Edwin Austin Abbey 高清作品[10%]

AF-Who Is Sylvia, What Is She, That All the Swains Commend Her, 1896-1900

图片文件尺寸: 7500×7479 px

西尔维亚是谁,她是什么,所有的天鹅都称赞她,1896-1900年-埃德温·奥斯汀修道院

-Edwin Austin Abbey (1852-1911) was an 美国术家 muralist, illustrator, and painter.

Who Is Sylvia, What Is She, That All the Swains Commend Her, 1896-1900 (Oil on Canvas), by Edwin Austin Abbey