301. Hans Himmelheber,Himmelheber汽车车顶上的人物,刚果民主共和国卢鲁瓦地区,1939年,扫描坦塔拉矿的一种透长石,以及你在镜子的倒影,2020年(2020年) by Sammy Baloji 高清作品[18%]

Hans Himmelheber, Figure on the roof of Himmelheber’s car, DR Congo, Luluwa region, 1939, scan of a Dioptase from Tantara mine, and your reflection in the mirror, 2020 (2020) | Available for Sale

材质 :UV Print on mirror 4 mm, American case in polished brushed brass 尺寸 :51.2 × 71.2 × 3 cm Photography

Hans Himmelheber,Himmelheber汽车车顶上的人物,刚果民主共和国卢鲁瓦地区,1939年,扫描坦塔拉矿的一种透长石,以及你在镜子的倒影,2020年(2020年)-巴劳及(Congolese, b. 1978)

英文名称:Hans Himmelheber, Figure on the roof of Himmelheber’s car, DR Congo, Luluwa region, 1939, scan of a Dioptase from Tantara mine, and your reflection in the mirror, 2020 (2020) | Available for Sale-Sammy Baloji

302. 一个村庄的街道场景,孩子们在前景玩耍,人物们在喝酒` A village street scene with children playing in the foreground and figures drinking by Joost Cornelisz Droochsloot 高清作品[18%]

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A village street scene with children playing in the foreground and figures drinking-

图片文件尺寸: 3482 x 2049px

一个村庄的街道场景,孩子们在前景玩耍,人物们在喝酒-乔斯特·科内利兹·德罗斯洛特

` A village street scene with children playing in the foreground and figures drinking--Joost Cornelisz Droochsloot (荷兰艺术家, 1586 – 1666)

304. Hans Himmelheber,包皮环切手术营的长期建筑可以在面具后面看到,刚果民主共和国,彭德地区,1939年,扫描一个松叶力量人物的内部,以及你在镜子的倒影,2020年(2020年) by Sammy Baloji 高清作品[17%]

Hans Himmelheber, The long building of the circumcision camp can be seen behind the mask, DR Congo, Pende region, 1939, scan of the inside of a Songye power figure, and your reflection in the mirror, 2020 (2020) | Available for Sale

材质 :UV Print on mirror 4 mm, American case in polished brushed brass 尺寸 :205.2 × 84.2 × 3 cm Photography

Hans Himmelheber,包皮环切手术营的长期建筑可以在面具后面看到,刚果民主共和国,彭德地区,1939年,扫描一个松叶力量人物的内部,以及你在镜子的倒影,2020年(2020年)-巴劳及(Congolese, b. 1978)

英文名称:Hans Himmelheber, The long building of the circumcision camp can be seen behind the mask, DR Congo, Pende region, 1939, scan of the inside of a Songye power figure, and your reflection in the mirror, 2020 (2020) | Available for Sale-Sammy Baloji

307. 一幅风景的两个人物(recto)人头研究(自像)(verso)` Two Figures in a Landscape (recto); Study of Man’s Head (Self~portrait) (verso) (1987) by Edwin Austin Abbey 高清作品[17%]

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Two Figures in a Landscape (recto); Study of Man’s Head (Self~portrait) (verso) (1987) -

图片文件尺寸: 2712 x 1955px

一幅风景的两个人物(recto)人头研究(自像)(verso)-埃德温·奥斯汀修道院

~ Two Figures in a Landscape (recto); Study of Man’s Head (Self~portrait) (verso) (1987) --Edwin Austin Abbey (美国艺术家, 1852 - 1911)

308. 一座建筑风格随意的建筑,可以看到想象的古典宫殿和优雅的人物` An architectural capriccio with a view of an imaginary classical palace and elegant figures by Paul Vredeman de Vries 高清作品[17%]

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An architectural capriccio with a view of an imaginary classical palace and elegant figures-

图片文件尺寸: 6480 x 3378px

一座建筑风格随意的建筑,可以看到想象的古典宫殿和优雅的人物-保罗·弗里德曼·德弗里斯

~ An architectural capriccio with a view of an imaginary classical palace and elegant figures--Paul Vredeman de Vries (Flemish, 1567-1617)

309. 《罗马和周围环境风景集》,风景研究,第39a页:风景人物` Album with Views of Rome and Surroundings, Landscape Studies, page 39a: Figure in a Landscape by Franz Johann Heinrich Nadorp 高清作品[17%]

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Album with Views of Rome and Surroundings, Landscape Studies, page 39a: Figure in a Landscape-

图片文件尺寸: 4886 x 3697px

《罗马和周围环境风景集》,风景研究,第39a页:风景人物-弗兰兹·约翰·海因里希·纳多普

~ Album with Views of Rome and Surroundings, Landscape Studies, page 39a: Figure in a Landscape--Franz Johann Heinrich Nadorp (德国艺术家, 1794-1876)

310. 虽然现在离开了这个行业,但她一生都在悉尼的三个商业廊工作过,有三个孩子,每一个都是来自每个廊的艺术家,但是哀叹这一事实,而不是三个小狗屎没有一个会去看她或关心她,2021。 by Dale Frank 高清作品[17%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开了这个行业,但她一生都在悉尼的三个商业廊工作过,有三个孩子,每一个都是来自每个廊的艺术家,但是哀叹这一事实,而不是三个小狗屎没有一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank