307. 约瑟夫·海因布彻(Joseph Heinbucher),复活节上的自行车贵族` by Joseph Heinbucher, Edler von Bikessy 高清作品[18%]

DO-Joseph Heinbucher, Edler von Bikessy - Osterauktion
图片文件像素:4600 x 3500 px

约瑟夫·海因布彻(Joseph Heinbucher),复活节拍卖会上的自行车贵族-

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九片树叶来自:78幅油画上描绘了潘诺尼亚居民的民俗服饰,以及1820年维也纳的人种学解释、蚀刻、双语铭文,部分署名为“海因布赫·埃德勒·比克西·平克西和卡尔·拜尔雕塑”,一幅彩色,约27 x 21厘米,另一幅约38 x 22厘米;此外:彩色羽毛平版印刷:提萨地区的新娘夫妇,两片最小晒黑(Ko)Ruf 160

310. 恩索时期`Enso, Edo Period by Mugaku Soen 高清作品[18%]

AF-Enso, Edo Period

图片文件尺寸: 6000×3622 px

恩索时期-苏木谷

-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.