A LATE LOUIS XV CHINESE AND EUROPEAN BLACK AND GOLD LACQUER SECRÉTAIRE À ABATTANT, CIRCA 1760-A-LATE-LOUIS-XV-CHINESE-AND-EUROPEAN-BLACK-AND-GOLD-LACQUER-SECRÉTAIRE-À-ABATTANT-CIRCA-1760
（大约1760年，路易十五晚期的中国和欧洲黑漆和金漆-A-LATE-LOUIS-XV-CHINESE-AND-EUROPEAN-BLACK-AND-GOLD-Clair-SECRÉTAIRE-À-ABATTANT-CIRCA-1760）
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中欧画家2。d.19的一半。世纪美术-
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一副肖像画，未签名，油画/帆布，66.5 x 55.5厘米，轻微受损，调整不一致（Šm）
Alice Mak @ McDull Artroom, Spring 3, Mcdull calligraphy-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書
（Alice Mak@McDull Artroom，春季3，麦兜书法-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書）
A RÉGENCE GILT BRONZE-MOUNTED AMARANTH AND CHINESE COROMANDEL LACQUER ARMOIRE A DOUCINE, SECOND QUARTER 18TH CENTURY-A-RÉGENCE-GILT-BRONZE-MOUNTED-AMARANTH-AND-CHINESE-COROMANDEL-LACQUER-ARMOIRE-A-DOUCINE-SECOND-QUARTER-18TH-CENTURY
（科罗曼德尔第二季度十八世纪镀金青铜挂载苋菜和中国漆器损坏-A-RÉGENCE-GILT-Brown-MOUNTED-AMARANTH-AND-CHINESE-COROMANDEL-漆器-ARMOIRE-A-DOUCINE-SECOND-QUARTER-18世纪）
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Jan Gildemester Jansz美术馆-阿德里安·德莱利
~ The Art Gallery of Jan Gildemeester Jansz (1794 ~ 1795) --Adriaan de Lelie (荷兰艺术家, 1755 - 1820)
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皇家美术学院的生活课-威廉·本兹
~ The Life Class at the Royal Academy of Fine Arts (1826) --Wilhelm Bendz (丹麦画家, 1804-1832)
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克拉尔·卡雷尔（布拉格1866年a1919年布拉格美术馆）-
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Lake garden，左下角，签名并注明日期：K.Clear 912，油画/帆布，76 x 95.5厘米，框架受损（毫米）
A gilt-bronze and Chinese porcelain group, second half 19th century, attributed to Maison lEscalier de Cristal-A-gilt-bronze-and-Chinese-porcelain-group-second-half-19th-century-attributed-to-Maison-l#x27;Escalier-de-Cristal
（19世纪后半叶的一组镀金青铜和中国瓷器，归梅森·莱斯卡利耶·德·克里斯塔尔所有-A-gilt-Brown-and-Chinese-Celler-group-second-半月-19世纪归因于Maison-l#x27；克里斯塔尔酒店）
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书法＃2椅子上的女人-亨利莱曼Saïen.
` Calligraphic #2 Woman on Chair (1914`1918) --Henry Lyman Saÿen (美国艺术家, 1875-1918)
图片文件尺寸: 8500×5087 px
恩索画圈，书法，挂卷轴，大正时代-中原南登博
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.