STILL LIFE WITH A LOBSTER ON A SILVER DISH, A DEAD HARE AND OTHER GAME, BLUE AND WHITE GRAPES ON A SILVER-GILT TAZZA, ARTICHOKES, ASPARAGUS, A WAN-LI KRAAK BOWL WITH STRAWBERRIES IN A COPPER BUCKET, ALL ARRANGED ON A TABLE DRAPED WITH A BLUE VELVET CLOTH-WORKSHOP-OF-FRANS-SNIJDERS-
(静物画:银盘上的龙虾、死兔子和其他猎物、镀银塔扎上的蓝白葡萄、朝鲜蓟、芦笋、铜桶里装着草莓的万里克拉克碗,所有这些都安排在一张铺着蓝色天鹅绒布的桌子上-法国斯尼克工作室-)
292.
一个Trompe L欧伊尔静物画,两只鹌鹑,一张鸟网和雅各布斯·比尔提乌斯的哨子`
A Trompe Loeil Still Life With Two Quails, A Bird~Net And A Whistle by Jacobus Biltius 高清作品[10%]
293.
设计一张菜单卡,可以看到伏尔加河上的尼兹尼·诺夫哥罗德`
Design for a menu card with a view of Nizhny Novgorod on the River Volga (c. 1900–1910) by Albert Nikolaevich Benois 高清作品[10%]
294.
研究一个人的右手,手里拿着一张纸主播家庭形象工作室`
Studie af en mands højre hånd, holdende et stykke papir; studie til det Ankerske familiebillede (1790 – 1793) by Jens Juel 高清作品[10%]
295.
圣乔治系列——两项针对女性服务员的研究公主画了致命的一张`
St George Series – Two Studies of Female Attendants for ;The Princess draws the fatal Lot by Sir Edward Coley Burne-Jones 高清作品[10%]
296.
据说是范德维特家族的一张家族肖像,画在俯瞰他们庄园的一座楼房上`
A Family Portrait Said To Be Of The Van Der Witte Family, Depicted On A Rise Overlooking Their Estate by Gillis van Tilborgh 高清作品[10%]
297.
圣乔治系列——两项针对女性服务员的研究公主画了致命的一张`
St George Series – Two Studies of Female Attendants for ;The Princess draws the fatal Lot by Sir Edward Coley Burne-Jones 高清作品[10%]
298.
对一条左臂、一名年轻女子、一位圣母和一个孩子、一张侧面脸和裸体人像的研究`
Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile and Nude Figures by Bartolomeo Passarotti 高清作品[10%]
299.
一张日本风格的镀金青铜圭里登桌,其顶部由中国托盘景泰蓝珐琅构成,由爱德华·李耶夫(Edouard Lièvre)为Maison F.Barbedianne(1875年左右的巴黎为展台,18世纪末的中国清朝为顶部) by Edouard Lièvre 高清作品[10%]
材质 :Patinated and gilded bronze ; cloisonné enamel (top). 尺寸 :85 × 73 cm Design\\\\u002FDecorative Art
一张日本风格的镀金青铜圭里登桌,其顶部由中国托盘景泰蓝珐琅构成,由爱德华·李耶夫(Edouard Lièvre)为Maison F.Barbedianne(1875年左右的巴黎为展台,18世纪末的中国清朝为顶部)-爱德华·利耶夫(French, 1828–1886)
英文名称:A patinated and gilded bronze gueridon table in the Japanese style, its top composed of a Chinese tray cloisonné enamel, executed by Edouard Lièvre for the Maison F. Barbedienne (Paris, circa 1875 for the stand and China, dynasty Qing, end of 18th century for the top)-Edouard Lièvre