Two blue and white vases with covers, China, 20th century-Two-blue-and-white-vases-with-covers-China-20th-century
（两个带盖的蓝白花瓶，中国，20世纪-两个蓝白相间的花瓶，带盖子，中国，20世纪）
292.
一个巨大的蓝白相间的栏杆花瓶，中国，20世纪 - A-大型蓝白栏杆-花瓶-中国-20世纪 高清作品[18%]
A large blue and white baluster vase, China, 20th century-A-large-blue-and-white-baluster-vase-China-20th-century
（一个巨大的蓝白相间的栏杆花瓶，中国，20世纪-A-大型蓝白栏杆-花瓶-中国-20世纪）
293.
一张精美的中国出口漆圆形斜顶桌，中国，1840年（约1840年） by Unknown 高清作品[18%]
材质 :Chinese Export Lacquer 尺寸 :71.1 × 91.4 cm
一张精美的中国出口漆圆形斜顶桌，中国，1840年（约1840年）-未知的(Unknown)
英文名称:A Fine Chinese Export Lacquer Circular Tilt Top Table, China, 1840 (ca. 1840)-Unknown
294.
两组中国三彩釉瓦工雕像，19/20世纪 - 两个中国三彩釉面瓷砖雕塑群——19-20世纪 高清作品[18%]
TWO CHINESE SANCAI-GLAZED TILEWORK FIGURAL GROUPS, 19TH/20TH CENTURY-TWO-CHINESE-SANCAI-GLAZED-TILEWORK-FIGURAL-GROUPS-19TH 20TH-CENTURY
（两组中国三彩釉瓦工雕像，19/20世纪-两个中国三彩釉面瓷砖雕塑群——19-20世纪）
295.
中国出口的汤盘，清朝，乾隆时期，约1745年 - A-中国-出口-汤盘-清朝-乾隆-大约1745年 高清作品[18%]
A CHINESE EXPORT SOUP PLATE, QING DYNASTY, QIANLONG PERIOD, CIRCA 1745-A-CHINESE-EXPORT-SOUP-PLATE-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1745
（中国出口的汤盘，清朝，乾隆时期，约1745年-A-中国-出口-汤盘-清朝-乾隆-大约1745年）
296.
缪斯历史`
The Muse~History (ca. 1865) by Jean-Baptiste-Camille Corot 高清作品[18%]
图片文件尺寸: 2760 x 3580px
缪斯历史-柯洛
` The Muse`History (ca. 1865) --Jean-Baptiste-Camille Corot (法国艺术家, 1796 - 1875)
297.
历史寓言`
Allegory of History (17th century) by François Chauveau 高清作品[18%]
图片文件尺寸: 3346 x 2961px
历史寓言-弗朗索瓦·乔沃
~ Allegory of History (17th century) --François Chauveau (法国艺术家, 1613-1676)
298.
我国历史纪念碑`Historical Monument of Our Country by Enzing-Miller 高清作品[18%]
图片文件尺寸: 7350×5343 px
我国历史纪念碑-恩津米勒
-Historical Monument of Our Country (illustration), by Enzing-Miller
299.
意大利历史反思`Meditation on the History of Italy by Francesco Hayez 高清作品[18%]
图片文件尺寸: 3187×4300 px
意大利历史反思-弗朗西斯科·海耶斯
-Meditation on the History of Italy.
The darkened glance of the beauty in this painting is not really directed at the viewer. She is sunk in thought, looking out of the canvas in a pre-occupied way. In her right hand she holds a folio bearing the words \"Storia d\'Italia\", this is to say a symbol of knowledge. Her left hand holds the symbol of faith, the Cross, that has played so great a part in Italy\'s history. Her naked breast is highly provocative when seen with the black cross of mourning. She is perhaps the allegory of Italy in the 19th century, and the gaze with which this figure of \"Italia\" confronts the viewer creates a suggestive, almost hypnotic effect. She seems to be in a state between waking and dreaming. This is meditation that has not yet reached a solution, meditation in which grief predominates.
300.
小麦历史筛选`
Histoire du blé; Le Criblage by Paul Albert Baudouin 高清作品[18%]
图片文件尺寸: 5530 x 3738px
小麦历史筛选-保罗·阿尔伯特·博杜因
~ Histoire du blé; Le Criblage--Paul Albert Baudouin (法国艺术家, 1844–1931)
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