材质 :Oil on canvas laid to masonite 尺寸 :55.9 × 71.1 cm Painting

红色的谷仓和高大的树木在白雪覆盖的严谨主义景观中投下阴影（1970年）-艾温德厄尔

英文名称:Red Barns and Tall Trees Casting Shadows in a Snow Covered Precisionist Landscape (1970)-Eyvind Earle

材质 :Aerosol and diamond dust on wood panel 尺寸 :30.5 × 30.5 cm Painting

图片文件尺寸 : 5630 x 4332px

《土星的回归》——当代未来主义空间绘画，具有惊人的色彩梯度（绿色+金色+红色）（2021年）-英雄

英文名称:The Return of Saturn - Contemporary Futuristic Space painting with Amazing Color Gradient (Green + Gold + Red) (2021) | Available for Sale-Hero

图片文件尺寸: 8186×9800 px

思想家，思想家-奥古斯特·罗丁

-The Thinker was originally conceived not in heroic isolation, but as part of Rodin\'s monumental Gates of Hell—a pair of bronze doors intended for a museum of decorative arts in Paris. Although the doors were never cast during the sculptor\'s lifetime, they nevertheless provided Rodin a rich source of ideas for individual figures and groups that he worked and reworked for the rest of his career.
The theme for Gates of Hell was taken from Dante\'s Inferno, and this figure, planned for the lintel on top, was initially conceived as the poet himself. His nudity, though, marked him as a universal embodiment of every poet—every creator—who draws new life from the imagination. In the late 1880s Rodin began to exhibit the figure, sometimes with the title Poet, other times as Poet/Thinker. By 1896, however, it had become simply The Thinker, a still more universal image that reveals in physical terms the mental effort and even anguish of creativity. As Rodin himself described: \"What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes.\"
Rodin\'s Thinker exists today in many casts and sizes. More than fifty are known in this size—which is the size of Rodin\'s original handmade clay model.

材质 :Mezzotint 尺寸 :25.7 × 38.1 cm Print

《人的作品》（2016）-弗雷德里克·梅尔希默(American, b. 1958)

英文名称:Works of Man (2016)-Frederick Mershimer

图片文件尺寸: 12016×10008 px

立体主义风景中的帆船

-Boris Grigoriev

图片文件尺寸: 7122 x 4639px

敌对的救助主义者-乌多·凯普勒

~ The rival salvationists (1908) --Udo Keppler (美国艺术家, 1872 – 1956)

图片文件尺寸: 3503 x 3836px

炮制主义的山羊-乌多·凯普勒

~ The goat of Cannonism (1910) --Udo Keppler (美国艺术家, 1872 – 1956)

图片文件尺寸: 2217 x 2912px

黑暗的未来主义者-派黎思

~ A Dark Futurist (1923) --Maxfield Parrish (美国艺术家, 1870 - 1966)

图片文件像素：4800 x 3400 px

萨尔瓦多·达利：《从古典现代主义到现在的绘画》-

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(Figueras 1904-1989)
Daphne I,
signiert unten rechts: Dali,
Farblithografie auf Arches, mit Prägestempel: DALART N. V. Copyright 1979, aus dem fünfteiligen Zyklus Retrospective II, 1979/80, Nr. I 257/350, Darstellungsgröße ca. 58 x 45,7 cm, Blattgröße ca. 74,8 x 54,5 cm, verglast, gerahmt Ruf 500

Lit.:
WVZ Michler-Löpsinger, Salvador Dali: Das druckgraphische Werk II, München 1995, S. 179, Abb. 1582

材质 :Oil on juta 尺寸 :100 × 50 cm Painting

图片文件尺寸 : 5630 x 4332px

2010年，害羞的裸体主义者在旁路支路上野餐-川村枪(Japanese)

英文名称:Shy Nudists go on a picnic on the bypass slip road, 2010-Kawamura Gun