293. 罗马，与圣卡斯特城堡一起随意欣赏台伯河安杰洛，农民们在河岸上放牛` Rome, A Capriccio View Of The Tiber With The Castel Santangelo, Peasants With Their Cattle On The River Banks by Matthijs Schoevaerdts 高清作品[15%]

~ Rome, A Capriccio View Of The Tiber With The Castel Santangelo, Peasants With Their Cattle On The River Banks-

图片文件尺寸: 4000 x 2405px

罗马，与圣卡斯特城堡一起随意欣赏台伯河安杰洛，农民们在河岸上放牛-马提斯·舍瓦德茨

~ Rome, A Capriccio View Of The Tiber With The Castel Santangelo, Peasants With Their Cattle On The River Banks--Matthijs Schoevaerdts (Flemish, 1665-1723)

298. 亚历山大·波普强奸锁后的厕所`The Toilet, from The Rape of the Lock by Alexander Pope by Aubrey Beardsley 高清作品[15%]

AF-The Toilet, from The Rape of the Lock by Alexander Pope

图片文件尺寸: 4034×6000 px

亚历山大·波普强奸锁后的厕所-奥布里·比尔兹利

-Aubrey Vincent Beardsley (1872-1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He is one of the important Modern Style (British Art Nouveau style) figures.
In this drawing, Aubrey Beardsley illustrates an early scene in Alexander Pope’s satirical masterpiece The Rape of the Lock (1712) in which the heroine, Belinda, primps in her boudoir. Reflecting the poem’s emphasis on contrived rather than natural beauty, the drawing is densely layered with artifice. A view of an idyllic garden with a cupola-topped pavilion is glimpsed not through a window as it would first seem, but on a folding screen. The bejeweled bottles littering the table serve as emblems of Belinda’s vanity.
The Toilet, from The Rape of the Lock by Alexander Pope, 1895-1896 (lithograph), by Aubrey Beardsley

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