亚历山大·路易斯·罗伯特·米林·杜·佩雷乌斯,19世纪的画作。
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(1764-1843年巴黎)
在枫丹白露皇家城堡前的亨利六世和萨利,于1818年在杜佩雷乌斯签名,并在枫丹白露皇家城堡内贴上亨利六世和萨利的标签,签名和日期。阿普雷自然练习曲。Du Perreux 1818,帆布油画,63 x 93厘米,框架,(GG)
材质 :Mezzotints with etching, roulette, and drypoint; printed on laid (and occasionally wove) paper; many plates retouched by the artist with brush and grey wash 尺寸 :16.6 × 23 cm Print
各种各样的风景主题,具有英国风景的特点,摘自约翰·康斯特布尔(John Constable,R.A.)的画作,大卫·卢卡斯(David Lucas,1829-1822)的雕刻-约翰·康斯特布尔之后的大卫·卢卡斯(British, 1802–1881)
英文名称:Various Subjects of Landscape, Characteristic of English Scenery, from Pictures painted by John Constable, R.A. Engraved by David Lucas (1829-32)-David Lucas after John Constable
材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography
表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)
英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez