材质 :Archivalcorrugated board, archival photo corners, compound, 4-ply Conservamat, 8-plyConservamat, drywall, dye transfer print, glass, lacquer-based finish, linentape, nails, Northern maple, plastic setback strips, primer, screws, seamingtape, paint, and wood 尺寸 :About the work Mixed Media

巴斯·扬·阿德尔和克里斯托弗·达坎杰洛的花束（1991年）-克里斯托弗·威廉姆斯(American, b. 1956)

英文名称:Bouquet for Bas Jan Ader and Christopher D’Arcangelo (1991)-Christopher Williams

图片文件尺寸: 6119 x 4541px

萨蒂尔和农民-雷克雅三世先生

~ Le satyre et les paysans (1651) --David Ryckaert III (Flemish, 1612-1661)

图片文件尺寸: 3694 x 2705px

萨提尔和仙女-老约瑟夫·海因茨

~ Satyrs and Nymphs (ca. 1599) --Joseph Heintz The Elder (瑞士画家, 1564 - 1609)

图片文件尺寸: 3660 x 2738px

萨蒂尔和巴克尚特-彼得·保罗·鲁本斯工作室

~ Satyr And Bacchante--Workshop of Peter Paul Rubens (Flemish, 1577 - 1640)

图片文件尺寸: 3832 x 3012px

有跳舞的萨提尔和仙女的风景-克劳德·洛兰

` Landscape with Dancing Satyrs and Nymphs--Claude Lorrain (法国艺术家, 1604-1682)

图片文件尺寸: 3538 x 4278px

贾尔和帕夏的战斗-尤金·德拉克罗瓦

~ Le Combat du Giaour et du Pacha (1835) --Eugène Delacroix (法国艺术家, 1798-1863)

图片文件尺寸: 2183 x 3460px

露西·赫塞尔和珍妮·施特劳斯-埃杜阿德·维亚尔德

` Lucy Hessel Et Jeanne Strauss Aux Étincelles (1902) --Édouard Vuillard (法国艺术家, 1868-1940)

图片文件尺寸: 3220 x 4264px

弗朗索瓦·伊尔和玛格丽特·德纳瓦拉-理查德·帕克斯·博宁顿

~ François Ier and Marguerite de Navarre (1827) --Richard Parkes Bonington (English, 1802-1828)

图片文件尺寸: 3576 x 2609px

意大利风景中的萨提尔和睡梦中的仙女-Cornelis Van Poelenburch先生

~ Satyrs and sleeping nymphs against Italian landscape (1620~1630) --Cornelis Van Poelenburch (荷兰艺术家, 1594/95-1667)

图片文件尺寸: 3468×5400 px

《海利尔和希尔德布兰德，塔楼楼梯上的会议》，1864年-弗雷德里克·威廉·伯顿

-This watercolour was inspired by a medieval 丹麦画家 ballad, translated by the artist’s friend Whitley Stokes and published in Fraser’s Magazine in 1855.
It tells the story of Hellelil, who falls in love with one of her personal guards, Hildebrand, Prince of Engelland. Her disapproving father orders his sons to kill the gallant prince but Hildebrand slays Hellelil‘s brothers, sparing the youngest at her request. Sadly, however, Hildebrand dies of his wounds. Instead of illustrating a violent episode from this tragic story, Burton has chosen to depict the ill-fated lovers in a tender, poignant embrace.