26. 月光下沼泽地,有海葵蜀葵(透过7.5英寸窗户观看立体画)(2020年) by Patrick Jacobs 高清作品[38%]

Moonlit Bog with Anemones and Hollyhock (Diorama viewed through 7.5 inch window) (2020)

材质 :Styrene, clay, paper, foam, wood, acrylic, steel, lighting, BK7 glass 尺寸 :50.8 × 71.1 × 50.8 cm Sculpture

月光下沼泽地,有海葵蜀葵(透过7.5英寸窗户观看立体画)(2020年)-帕特里克·雅各布斯(American, b. 1971)

英文名称:Moonlit Bog with Anemones and Hollyhock (Diorama viewed through 7.5 inch window) (2020)-Patrick Jacobs

28. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[37%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

29. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[37%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

30. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义 by Michael van Ofen 高清作品[37%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen