24. 法西斯主义意味着什么/Ass of Steel——基于单字的复杂文字拼贴,黑色、灰色、粉色和蓝色(2017) by Vivian Liddell 高清作品[31%]

What Fascism Means/Ass of Steel - Intricate Text Based Collage on Monotype, with Black, Grey, Pink and Blue Colors  (2017) | Available for Sale

材质 :Sewn Fabric and Ink on Monotype 尺寸 :33 × 24.1 cm Drawing, Collage or other Work on Paper

法西斯主义意味着什么/Ass of Steel——基于单字的复杂文字拼贴,黑色、灰色、粉色和蓝色(2017)-维维安·利德尔(American, b. 1971)

英文名称:What Fascism Means/Ass of Steel - Intricate Text Based Collage on Monotype, with Black, Grey, Pink and Blue Colors (2017) | Available for Sale-Vivian Liddell

27. 城市里什么都没有,只有死亡;卡斯特尔的巴黎公主街14号;如果没有恶魔[三部作品];1964-65 - 安迪·沃霍尔(1928-1987)和杰拉德·马兰加(1943年) 高清作品[29%]

Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65

  • Andy Warhol (1928 - 1987) and Gerard Malanga (b. 1943)
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65
  • Nothing in the City, Only Death; Castel\'s 14 Rue de Princesse, Paris; What If There Were No Diabiness [Three Works]; 1964-65-ANDY-WARHOL-(1928---1987)-AND-GERARD-MALANGA-(B.-1943)
    (城市里什么都没有,只有死亡;卡斯特尔的巴黎公主街14号;如果没有恶魔[三部作品];1964-65-安迪·沃霍尔(1928-1987)和杰拉德·马兰加(1943年))

    28. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[27%]

    `
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

    图片文件尺寸: 1877 x 2844px

    伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

    ` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

    29. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[27%]

    ~
Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

    图片文件尺寸: 1877 x 2844px

    伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

    ~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

    30. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[25%]

    Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

    材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

    表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

    英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez