21. 三件(白色)[从左到右,白色件#0138:我们第一个原因(事实),白色件#0139:我们第二个原因(口号)白色件#0140:我们第三个原因(招牌)](2012年) by Wah Nu and Tun Win Aung 高清作品[35%]

Three Pieces (of White)   [Left to right, White Piece #0138: Our First Cause (Facts), White Piece #0139: Our Second Cause (Slogan) and White Piece #0140: Our Third Cause (Signboard)] (2012)

材质 :Acrylicand newspaper on canvas 尺寸 :44.2 × 32.3 cm Painting

三件(白色)[从左到右,白色件#0138:我们第一个原因(事实),白色件#0139:我们第二个原因(口号)白色件#0140:我们第三个原因(招牌)](2012年)-华努敦温昂

英文名称:Three Pieces (of White)   [Left to right, White Piece #0138: Our First Cause (Facts), White Piece #0139: Our Second Cause (Slogan) and White Piece #0140: Our Third Cause (Signboard)] (2012)-Wah Nu and Tun Win Aung

23. 1571年莱潘托之战,拥挤船只奋力靠岸出现前景中` The Battle of Lepanto, 1571, with crowded boats and men struggling to shore in the foreground by Johannes Lingelbach 高清作品[35%]

~
The Battle of Lepanto, 1571, with crowded boats and men struggling to shore in the foreground-

图片文件尺寸: 3072 x 2322px

1571年莱潘托之战,拥挤船只奋力靠岸出现前景中-约翰尼斯·林格巴赫

~ The Battle of Lepanto, 1571, with crowded boats and men struggling to shore in the foreground--Johannes Lingelbach (德国艺术家, 1622-1674)

24. 作者藤子·F·藤条一起时间机器上进行无穷无尽旅行!2019年(签字并装框) by Takashi Murakami 高清作品[35%]

On an Endless Journey on a Time Machine with the Author Fujiko F. Fujio! (Signed & Framed), 2019

材质 :Silkscreen, gold, silver 尺寸 :60 × 60 cm Print

图片文件尺寸 : 5630 x 4332px

作者藤子·F·藤条一起时间机器上进行无穷无尽旅行!2019年(签字并装框)-村上隆(Japanese, b. 1962)

英文名称:On an Endless Journey on a Time Machine with the Author Fujiko F. Fujio! (Signed & Framed), 2019-Takashi Murakami

25. 离事情结局更近了,距离这些关于时间死亡冥想还远未完成,我们黑暗中休息(2019年) by Jacob Hashimoto 高清作品[35%]

Far Nearer the End of Things, Far Below These Meditations on Time and Death, We Rest Unmapped Tangled in Darkness (2019) | Available for Sale

材质 :Mixografia print on handmade paper 尺寸 :63.5 × 149.9 cm Print

图片文件尺寸 : 5630 x 4332px

离事情结局更近了,距离这些关于时间死亡冥想还远未完成,我们黑暗中休息(2019年)-雅各布桥本(American, b. 1973)

英文名称:Far Nearer the End of Things, Far Below These Meditations on Time and Death, We Rest Unmapped Tangled in Darkness (2019) | Available for Sale-Jacob Hashimoto

26. 2022年,自我出现我们餐桌上 by Mbali Tshabalala 高清作品[35%]

Presence of Self at the Table of Us, 2022

材质 :Paper: Somerset Soft White 300gsm Medium: Mixed media (Water-colour, Paper lithography, Linocut, Chine colle) Technical description: 3 layers – Water-colour base, oil-based red paper litho “figure” on Alice Goldin and black linocut with stencil block-out. Chine used: Alice Goldin 尺寸 :56 × 39 cm Mixed Media

2022年,自我出现我们餐桌上-姆巴利·查巴拉拉()

英文名称:Presence of Self at the Table of Us, 2022-Mbali Tshabalala

27. 那之后很长一段时间里,我以为我街上瞥见了马(好不好等待14)(2016-2020) by Alexander Massouras 高清作品[35%]

For a long time after that, I thought I glimpsed horses in the street (Good and bad at waiting 14) (2016-2020) | Available for Sale

材质 :Etching 尺寸 :19 × 27.5 cm Print

那之后很长一段时间里,我以为我街上瞥见了马(好不好等待14)(2016-2020)-亚历山大·马苏拉斯

英文名称:For a long time after that, I thought I glimpsed horses in the street (Good and bad at waiting 14) (2016-2020) | Available for Sale-Alexander Massouras

29. 塔图因双彩虹(开普勒16b):缩短时间线抑制了我们对我们是谁、哪里为什么理解(2021) by George Bolster 高清作品[34%]

The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)

材质 :Jacquard tapestry 尺寸 :396.2 × 487.7 × 0.6 cm Textile Arts

塔图因双彩虹(开普勒16b):缩短时间线抑制了我们对我们是谁、哪里为什么理解(2021)-乔治·波姆(Irish, b. 1972)

英文名称:The Double Rainbows of Tatooine (Kepler 16b): Truncated Timelines Inhibit Our Understanding of Who, Where, and Why We Are (2021)-George Bolster