22. 一篇作文的开头——出自1968年的《63幅绘画和素描多种媒介中的创作组曲》 by Marino Marini 高清作品[33%]

材质 :Lithograph | Screenprint - From "A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums" 尺寸 :50.8 × 42.5 cm Print

图片文件尺寸 : 5630 x 4332px

一篇作文的开头——出自1968年的《63幅绘画和素描多种媒介中的创作组曲》-马里尼(Italian, 1901–1980)

英文名称:Beginning of a Composition - From \"A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums\", 1968-Marino Marini

23. 亨利·米勒(Henry Miller)——摘自1968年的《63幅绘画和素描多种媒介中的创作集》 by Marino Marini 高清作品[33%]

材质 :Lithograph | Screenprint - From "A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums" 尺寸 :50.8 × 42.5 cm Print

图片文件尺寸 : 5630 x 4332px

亨利·米勒(Henry Miller)——摘自1968年的《63幅绘画和素描多种媒介中的创作集》-马里尼(Italian, 1901–1980)

英文名称:Henry Miller - From \"A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums\", 1968-Marino Marini

24. 托马斯·曼(Thomas Mann)——摘自1968年的《63幅绘画和素描多种媒介中的创作集》 by Marino Marini 高清作品[32%]

材质 :Lithograph | Screenprint - From "A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums" 尺寸 :50.8 × 42.5 cm Print

图片文件尺寸 : 5630 x 4332px

托马斯·曼(Thomas Mann)——摘自1968年的《63幅绘画和素描多种媒介中的创作集》-马里尼(Italian, 1901–1980)

英文名称:Thomas Mann - From \"A Suite of Sixty-three Re-creations of Drawings and Sketches in Many Mediums\", 1968-Marino Marini

25. 超现实主义我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,霍斯特之后),2009年 by Francesco Vezzoli 高清作品[32%]

Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

图片文件尺寸 : 5630 x 4332px

超现实主义我!(萨尔瓦多·达利的肖像,带着珠宝和眼泪,霍斯特之后),2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

26. 玛丽安·穆尔《观察》中的“一个坟墓”这一抽象集合的基础,2021。 by Linda Saccoccio 高清作品[32%]

The  stunning poem, “A Grave” by Marianne Moore in “Observations” is the basis for this abstract  collection, 2021

材质 :Gouache and Watercolor 尺寸 :22.9 × 30.5 cm Painting

图片文件尺寸 : 5630 x 4332px

玛丽安·穆尔《观察》中的“一个坟墓”这一抽象集合的基础,2021。-琳达·萨科西奥

英文名称:The stunning poem, “A Grave” by Marianne Moore in “Observations” is the basis for this abstract collection, 2021-Linda Saccoccio

28. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[30%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹其中提议试验一条项链,这路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez