23. 一场在优雅室内举行音乐会,有一名竖琴演奏者和一名长笛演奏者,观众众多,包括一名手持扇子舞女;一场优雅室内音乐会,一名女子在一名年轻歌手伴奏下弹奏吉他,老师和其他人在一旁观看 - 路易·乔奎特 高清作品[16%]

A CONCERT IN AN ELEGANT INTERIOR, WITH A HARP PLAYER AND A FLUTIST, WITH VARIOUS ONLOOKERS, INCLUDING ONE DANCING FEMALE HOLDING A FAN; A CONCERT IN AN ELEGANT INTERIOR, WITH A WOMAN PLAYING THE GUITAR ACCOMPANIED BY A YOUNG SINGER, AS THEIR TEACHER AND OTHERS LOOK ON-LOUIS-CHOQUET

A CONCERT IN AN ELEGANT INTERIOR, WITH A HARP PLAYER AND A FLUTIST, WITH VARIOUS ONLOOKERS, INCLUDING ONE DANCING FEMALE HOLDING A FAN; A CONCERT IN AN ELEGANT INTERIOR, WITH A WOMAN PLAYING THE GUITAR ACCOMPANIED BY A YOUNG SINGER, AS THEIR TEACHER AND OTHERS LOOK ON-LOUIS-CHOQUET
(一场在优雅室内举行音乐会,有一名竖琴演奏者和一名长笛演奏者,观众众多,包括一名手持扇子舞女;一场优雅室内音乐会,一名女子在一名年轻歌手伴奏下弹奏吉他,老师和其他人在一旁观看-路易·乔奎特)

27. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“从小在加利福尼亚州中部骑马和比赛马匹世界是如此可怕性别歧视;女孩和女人通常只被视为性对象,而不是天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特是一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年) by Jamil Hellu 高清作品[16%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“从小在加利福尼亚州中部骑马和比赛马匹世界是如此可怕性别歧视;女孩和女人通常只被视为性对象,而不是天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特是一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

29. 17(…当他们长大后…)(安装景观)(2016) by Ebony G. Patterson 高清作品[15%]

17 (. . . when they grow up . . .) (installation view) (2016)

材质 :Beads, appliques, fabric, glitter, buttons, costume jewelry, trimming, rhinestones, toy car, feathered butterflies, and adhesive on digital print on hand-cut matte photo paper 尺寸 :167.6 × 129.5 cm Mixed Media

17(…当他们长大后…)(安装视图)(2016)-乌木·G·帕特森(Jamaican, b. 1981)

英文名称:17 (. . . when they grow up . . .) (installation view) (2016)-Ebony G. Patterson

30. 18(…当他们长大后…)(安装景观)(2016) by Ebony G. Patterson 高清作品[15%]

18 (. . . when they grow up . . .) (installation view) (2016)

材质 :Beads, appliques, fabric, glitter, buttons, costume jewelry, trimming, rhinestones, magnetic letters, ribbons, and adhesive on digital print on hand-cut watercolor paper 尺寸 :168.9 × 134.6 cm Mixed Media

18(…当他们长大后…)(安装视图)(2016)-乌木·G·帕特森(Jamaican, b. 1981)

英文名称:18 (. . . when they grow up . . .) (installation view) (2016)-Ebony G. Patterson