22. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[36%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

23. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[36%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

24. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[33%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

25. 德国人民及其士兵不仅为自己和他们的时代而工作和战斗,而且为下一代,甚至是最遥远的后代而工作和战斗` The German people and its soldiers work and fight not only for themselves and their times, but for upcoming generations, even those furthest away (1942) 高清作品[33%]

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The <em>德国</em>艺术家 people and its soldiers work and fight not only for themselves and their times, but for upcoming generations, even those furthest away (1942) -

图片文件尺寸: 8834 x 13220px

德国人民及其士兵不仅为自己和他们的时代而工作和战斗,而且为下一代,甚至是最遥远的后代而工作和战斗

~ The 德国艺术家 people and its soldiers work and fight not only for themselves and their times, but for upcoming generations, even those furthest away (1942) -

26. 1916年3月23日,纽约,为德国、奥地利、匈牙利及其盟军士兵的遗孀和孤儿制作的慈善集市海报` Posters for Charity Bazar [i.e. Bazaar] for the widows and orphans of German, Austrian, Hungarian and their allied soldiers, March 23rd, 1916, New York, NY (1916) by Winold Reiss 高清作品[33%]

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Posters for Charity Bazar [i.e. Bazaar] for the widows and orphans of <em>德国</em>艺术家, 奥地利艺术家, Hungarian and their allied soldiers, March 23rd, 1916, New York, NY (1916) -

图片文件尺寸: 11788 x 16873px

1916年3月23日,纽约,为德国、奥地利、匈牙利及其盟军士兵的遗孀和孤儿制作的慈善集市海报-温诺德赖斯

` Posters for Charity Bazar [i.e. Bazaar] for the widows and orphans of 德国艺术家, 奥地利艺术家, Hungarian and their allied soldiers, March 23rd, 1916, New York, NY (1916) --Winold Reiss (美国艺术家, 1886-1953)