《黑白建築(INTI)》-華金・托雷斯・凱西亞
(《黑白建築(INTI)》-華金・托雷斯・凱西亞)
22.
一座有塔的城市,打开一盏灯,苹果上的爱民,海边的岩石,国家博物馆——大马士革——叙利亚,穿过村庄的小径,棕榈树上的城市,挂在村庄里,鱼城[装置](2010/11) by Adib Fattal 高清作品[25%]
材质 :Pen, ink on paper 尺寸 :152.2 × 107.8 cm Drawing, Collage or other Work on Paper
一座有塔的城市,打开一盏灯,苹果上的爱民,海边的岩石,国家博物馆——大马士革——叙利亚,穿过村庄的小径,棕榈树上的城市,挂在村庄里,鱼城[装置](2010/11)-致命的(Syrian)
英文名称:A City with a Tower, Turning on a Lamp, Aimins on an apple, A rock next to the sea, National Museum - Damascus - Syria, A Pathway through a Village, A city over palms, Hanging on in a Village, Fish city [Installation] (2010/11) | Available for Sale-Adib Fattal
23.
《建国者》,1903年`The Nation Makers, 1903 by Howard Pyle 高清作品[25%]
24.
在山村的山坡上建房子`
Building on a Hillside in a Mountainous Village by George Chinnery 高清作品[23%]
25.
Purple Building on Sun Rise 日出時的紫色建築 (2015) | Available for Sale by Yi Kai 高清作品[23%]
26.
你的工作意味着胜利——再建一个`
Your work means victory – build another one (1917) by Fred J. Hoertz 高清作品[23%]
27.
我们都在一起 - 4800×6000px 高清作品[21%]
28.
西林国王为纪念玛丽而建教堂,弓箭手协会祭坛画`The King of Silene Building a Church in Honour of Mary, Archers\' Guild Altarpiece by Maerten de Vos 高清作品[21%]
图片文件尺寸 : 2456×6800 px
西林国王为纪念玛丽而建教堂,弓箭手协会祭坛画-马尔滕·德沃斯
-The central panel shows Christ Triumphant, trampling a dragon, a skull and a scorpion (symbols of sin, death and heresy respectively) and with two angels holding laurel leaves over his head. The guild\'s patron saint George is shown at Christ\'s right hand, with the princess of Silene at Christ\'s left hand - she also acts as a personification of Ecclesia or the Church by holding a lamb. At Christ\'s feet are Saint Peter and Paul the Apostle, holding Bibles open at Acts 2.17-24 and Romans 6.8-14 respectively.
The side panels show two scenes from the life of Saint George, the baptism of the king of Silene by Eusebius of Nicomedia and the king of Silene building a church in honour of Mary. The reverses of the side panels show St George and the princess of Silene returning to the city with the defeated dragon.
The Archers\' Guild Altarpiece, 1590 (Oil on Canvas), by Maerten de Vos