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21. 青山` The Green Hill (1878) by Winslow Homer 高清作品[16%]

图片文件尺寸: 3666 x 3064px

青山-Winslow Homer.

` The Green Hill (1878) --Winslow Homer (美国艺术家, 1836-1910)

22. 浮世绘Matahei和他的名画的奇怪发生` The Strange Occurence of Ukiyo Matahei and his Famous Paintings (1853) by Utagawa Kuniyoshi 高清作品[16%]

图片文件尺寸: 7507 x 5427px

浮世绘Matahei和他的名画的奇怪发生-Utagawa Kuniyoshi

~ The Strange Occurence of Ukiyo Matahei and his Famous Paintings (1853) --Utagawa Kuniyoshi (Japanese, 1797-1861)

23. GREEN MOUNTAINS WITH RED CLIFF 國之重寶-青山赤壁 (2021) by CHANG Ching 張敬高清作品[16%]

材质 :Taiwan Millennium Stout Camphor Wood 台灣千年古牛樟尺寸 :36 × 37 × 35 cm Sculpture

GREEN MOUNTAINS WITH RED CLIFF 國之重寶-青山赤壁 (2021)-CHANG Ching 張敬(Taiwanese, b. 1937)

英文名称:GREEN MOUNTAINS WITH RED CLIFF 國之重寶-青山赤壁 (2021)-CHANG Ching 張敬

24. 大阪演员中村世根（Nakamura Shikan）饰演藤原大美（DaimyōFujiwara no Tokihira Kyō` Osaka Actor Nakamura Shikan in the Role of the Daimyō Fujiwara no Tokihira Kyō (1833) by Utagawa Kunisada (Toyokuni III) 高清作品[15%]

图片文件尺寸: 2456 x 3458px

大阪演员中村世根（Nakamura Shikan）饰演藤原大美（DaimyōFujiwara no Tokihira Kyō-Utagawa Kunisada（Toyokuni III）

~ Osaka Actor Nakamura Shikan in the Role of the Daimyō Fujiwara no Tokihira Kyō (1833) --Utagawa Kunisada (Toyokuni III) (Japanese, 1786 – 1865)

25. 1993年4月14日（A）和1997年4月14日，东京青山南部新比约·舒潘有限公司发型设计师山田德夫。 by Christopher Williams 高清作品[14%]

材质 : 2 sheets Color photographs. Dye Transfer Prints

图片文件尺寸 : 4859 x 3695 px

1993年4月14日（A）和1997年4月14日，东京青山南部新比约·舒潘有限公司发型设计师山田德夫。-克里斯托弗·威廉姆斯

英文名称:Tokuyo Yamada, Hair Designer, Shinbiyo Shuppan Co., Ltd., Minami-Aoyama, Tokyo, April 14, 1993 (A) und (R), 1997.-Christopher Williams

26. 花园图片（花园图片） - 保罗·克莱高清作品[13%]

Gartenbild (Picture of a Garden) | 《花園畫》-Paul-Klee
（花园图片（花园图片）-保罗·克莱）

27. 幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板`The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel by Toyohara Kunichika 高清作品[13%]

图片文件尺寸: 4032×6000 px

幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板-丰原久一家

-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.