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21. 西登斯太太站着，双臂交叉，俯视前方` Mrs. Siddons standing, frontal view with arms folded (1783) by John Flaxman 高清作品[21%]

图片文件尺寸: 3292 x 4096px

西登斯太太站着，双臂交叉，俯视前方-约翰·弗拉克斯曼

~ Mrs. Siddons standing, frontal view with arms folded (1783) --John Flaxman (English, 1755-1826)

22. 年轻女子俯视的半身像` Bust Of A Young Woman Looking Down (1773 or later) by Louis-Marin Bonnet 高清作品[20%]

图片文件尺寸: 2102 x 3008px

年轻女子俯视的半身像-路易·马林·博内

` Bust Of A Young Woman Looking Down (1773 or later) --Louis-Marin Bonnet (法国艺术家, 1736-1793)

23. 一个戴着头巾的女人俯视的胸部图像` Brustbild einer niederblickenden Frau mit Kopftuch by Nicolas Bernard Lépicié 高清作品[20%]

图片文件尺寸: 6439 x 7779px

一个戴着头巾的女人俯视的胸部图像-尼古拉斯·伯纳德·莱皮奇

~ Brustbild einer niederblickenden Frau mit Kopftuch--Nicolas Bernard Lépicié (法国艺术家, 1735 - 1784)

24. 一个留着胡子的老人的半身像，俯视着` Bust of an Old Bearded Man, Looking Down (1631) by Rembrandt van Rijn 高清作品[20%]

图片文件尺寸: 3489 x 4096px

一个留着胡子的老人的半身像，俯视着-伦勃朗·哈尔曼松·凡·莱因

~ Bust of an Old Bearded Man, Looking Down (1631) --Rembrandt van Rijn (荷兰艺术家, 1606-1669)

25. 留着胡子的高个子男人俯视着一个坐着的男孩` Lange man met baard kijkt neer op een zittende jongen (1910) by H.C. Louwerse 高清作品[19%]

图片文件尺寸: 1500 x 2356px

留着胡子的高个子男人俯视着一个坐着的男孩-H.C.卢维塞

~ Lange man met baard kijkt neer op een zittende jongen (1910) --H.C. Louwerse (荷兰艺术家, 1878-1946)

26. 幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板`The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel by Toyohara Kunichika 高清作品[18%]

图片文件尺寸: 4032×6000 px

幽灵奥基库凶狠地俯视着青山武士和两名护卫员，中央面板-丰原久一家

-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.